While attending the Dallas Pen Show I had the opportunity to talk with the rep from Chartpak, the distributor of many popular art and design supplies. He was displaying new products from Kuretake — their fountain pen ink lines including the Art Nouveau series which is inspired by the art nouveau art movement which was in full swing when Kuretake launched on to the art scene back in 1902. There are five ink colors in this collection: Old Rose, Zsolnay Green, Mahogany Brown, Perkin Mauve and Concrete Gray.

At first glance, these inks appear quite dark. The Old Rose looking more like a coppery tone and the Mauve so dark it almost looks black. But stick with me…

It turns out that all five inks are sheening inks reflecting the light with pops of gold, green and red.

In swatches on 68gsm Tomoe River, I added just a hint of water to get a better sense of the underlying tones. These inks are super concentrated and might make great colors to use in painting, brushes and such. Seeing the color potentials, I wanted to push it further.

What I’ve discovered over the past few years is that when you favor fine nibs like I do, inks that might look a little ho-hum in a swatch can come alive when the application is lighter. So, I decided to go ahead and fill some fine nib fountain pens with these inks to see how they performed in more “real world” tests.
The Mahogany Brown, in my Sailor ProColor, is just a tiny bit darker than my tried and true Kaweco Caramel Brown and a great alternative color moving into the darker days of winter.
Old Rose reminds me of a slightly warmer Robert Oster Australian Opal Mauve. Perkin Mauve is a deep regal purple without too much saturation. It’s subtle, regal and sophisticated.
The Concrete Gray is a bit more neutral grey when compared against one of my go-to inks, Diamine Earl Grey which has a bit more blue undertone.
Zsolnay Green is a deep pine-y green. It’s not a color I use much on a daily basis as I tend to prefer more yellow-y greens so I don’t have a lot of immediate comparisons I could make.
Comparisons:

From my swatch search, J. Herbin Cacao du Brsil is probably the closest I could find to Mahogany Brown. Cacao du Brasil doesn’t have any sheen so if you’re looking for a similar shade without sheen, that would be my recommendation.

With Old Rose, it showed the most sheen so I hunted down some of my sheeniest reds: Krishna Brown Pink, Bungubax Matador and J. Herbin Rouge Hematite. Honestly, Old Rose is probably closest to Matador, and considerably cheaper.

My preference for yellow greens was really noticeable when trying to find comparisons for Zsolnay Green. All the dark greens I could find lean more to the yellow green like Epinard, Tokiwa-Matsu and Astorquiza Olive. Astorquiza Olive was probably the closest though Tokiwa-Matsu and Epinard have the similar sort of sheen just a slightly different hue.

The sheen in Perkin Mauve makes the comparisons a little hard to discern on screen. Honestly, Sailor Chu-Shu is probably theclosest, just without the sheen.

With Concrete Grey, I didn’t have a lot of off-black greys that sheen. 3 Oysters Giwa is probably the closest in color just, again, without sheen and if you’re looking for sheeining blacks or greys, my go-to is Kyo-No-Oto Nurebairo which is a dry AF ink but the sheeniest deep blue black I own. I just add a little White Lightning to keep it flowing.
I wasn’t sure where I was going to land with these inks. The initial swatches were so dark but in the end, with some experimenting and trying different things I have ended up really liking the options these Kuretake inks might provide. I am actually planning on using these inks for my November Planner Set-Up which should be posted soon.
DISCLAIMER: The items included in this review were provided free of charge by Kuretake USA/Chartpak for the purpose of review. To purchase these inks, visit Dromgoole’s. Please see the About page for more details.