Looks like folks are getting geared up (ink and pens at the ready!) for February and Letter Writing Month this week as well as putting some black inks to the test and lots of notebooks. Planners are in full use and everyone is hard at work on their page-a-day challenges. Keep warm in the northern hemisphere and stay cool down south.
Submit your own Link Love art: Would you like your artwork, lettering or illustration to be featured on an upcoming Link Love post? Send in your handwriting, drawing, photograph, or doodle. It can be your own interpretation of Link or anything else you think might relate to the weekly list of pen/pencil-centric blog links. Email your submission to me at chair @ wellappointeddesk.com. Please include any information you’d like in the image credit (your name, Twitter handle, Instagram, blog, etc) and any information about inks, tools, paper, etc used in your creation.
I recently found Van Hook and Co. on Etsy and purchased a made-to-order dyed leather, stitched A5 wide cover fauxdori Traveler’s Notebook cover. The cost for the cover an $75 and took about ten days from the time I ordered it until it arrived.
The leather has a warm hue to it and is a heavyweight and firm, not floppy which I really like. There are two short, leather slash pockets in the front and back that add stability and weight to the covers as well. The stitching around the edges is even and bright white. The elastic is black and, by default, Van Hook included four elastics inside for books.
Also, there are two elastic loop along the righthand side for a pen. My Sharbo-X fits snugly in the loops and coordinates nicely with the cover but the loops aren’t wide enough to fit the Pilot Metropolitan without a bit of effort. A Sharpie Pen fits in the loops fine though not as pleasing to look at. If I were to order another cover from Van Hook, I might skip the pen loops just because I tend to carry a whole case of pens with me anyway.
I filled mine with the Moleskine large notebooks I reviewed earlier this week which fit perfectly. First, is the planner, then a cahier for my knitting project planning, then a Volant for sketching and notes. I have some other A5-ish notebooks on order that I may swap out along the way, but for now I wanted to see how these fit and how well the cover worked with the various thicknesses. So far, so good.
I never thought I would buy a larger fauxdori cover but I got a wild hair and I am so glad I have another size option in my ‘dori arsenal. I also absolutely love the unusual turquoise color. I cannot wait to see how the color will patina over time.
I will definitely be ordering another cover from Van Hook very soon. The craftsmanship and quality is excellent and I love how thick their leather is. I prefer the hardier leather as an alternative to the more traditional Midori floppy leather covers. I think a traditional, slim chartreuse leather stitched is next on my wish list!
I was interested in getting a pen that writes with a line similar to that of a .5 mm pen. I was considering a Kaweco sport given your enthusiastic reviews. Would a European extra fine do that?
The Kaweco might give a little bit wider stroke depending on the paper and/or ink combination than a 0.5mm gel or rollerball pen. Let’s do a little experiment!
I got a bunch of my favorite 0.5mm gel pens and pens I felt wrote comparably to 0.5 like a Sharpie Pen and the Staedtler Triplus Finalizer. Then I got out a bunch of European (and American) EF and F nibs and a few Japanese, just for comparison sake, and wrote their name and then drew a slow line using a ruler to try to get as close and exact idea of their line widths. I stand by my theory that the Kaweco EF and F are almost indistinguishable and about the same width as the Pilot Metropolitan M. I’d say those are a bit wider than the 0.5mm gel pens. The Pilot Metropolitan F, TWSBI EF and Monteverde EF were closer in width to the 0.5mm. For some reason, I did not have a Lamy EF in house. The Lamy F was wider than even the Kaweco F or the Pilot Metropolitan M so if you’re looking at a fine line from Lamy, definitely aim for the EF. But if you are dabbling in the Japanese pens, you could go as broad as a M and still get a very fine line. Good luck on your fountain pen adventures!
Steve asks:
I have a small cache of 3.75″ x 6.75″ 3-hole ruled paper. The 3-ring binder has long since died. Any ideas on where I might find a new binder?
I was unable to find any 3-ring versions of a 3.75″ x 6.75″ binder. However, I was able to find 6-ring binders. The size is the same as the Filofax Personal-sized, DayTimer (portable), DayRunner (small). Mead even makes loose leaf notebooks in this size for about $10. The paper might need to be punched with additional holes but the current popularity of the personal sized Filofax and similar planners means that 6-ring binders and refills will continue to be available for years to come. A copy shop might be able to punch the holes for you or you could purchase a hole punch and do it yourself.
Sarah asks:
Do you have any recommendations for planner stamps? I initially wanted to use the Pilot Frixion stamps because they are self-inking and erasable, but couldn’t find a complete set from any American retailers (except on Etsy and eBay, where I’d have to pay a huge mark-up). I bought this set last week and I’m pretty happy with it, but I wonder what other people are using.
This is a fun question, Sarah! Thanks for submitting it. I have found that I really like the clear cling planner stamps from either Hero Arts, Studio Calico or Studio L2E. Since they come on small flat sheets, they are easy to store and carry. You can even pick and choose from a variety of different planner sheet sets to build your perfect set for your planner. Most clear stamp sheets come on sheets ranging in size from about 4″ x 6″ and larger with lots of word and symbol stamps on each sheet.
I keep a small acrylic block, similar to this set, in my pencil case and a small stamp pad for stamping. If you discover that you have specific stamps you use all the time, you can also just adhere them onto something more permanently. Some are small enough to fit onto the end of a bottle cap, old marker or dowel to make a more permanent stamp.
Happy stamping!
If you have a question for The Desk, use the “Ask The Desk” link at the top of the blog. Thanks!
I have several friends who share my love for all things green, particularly green of the lime hue. And we’ve been waxing poetic about it a lot this week. To the point that we’ve been looking at green keyboards and other desk accessories that suggest we may have lost our minds. But its gross and grey out and making my world look like a mojito makes me feel better. So, join me in my cocktail infused fantasy. Paint your world in your favorite hue. Maybe it’s tinted key lime too?
Hoo, boy! When I decide to go down the path I pretty much take the WHOLE ROAD. In the case of the Sakura Gelly Roll pens, I got the whole kit-and-caboodle! That’s right, I got the Sakura Gelly Roll 64-Color Set Box ($80). I mean, really? How was I supposed to pick just a handful?
The pens came in a translucent plastic box divided into five sections and the wrapper has a color key on the reverse that I could fill in see what each color looks like. Don’t you just want to dig your fingers into each of these compartments and pull out all the pens?!?! The box is a standard plastic art supply tackle box but did not add anything to the cost of the purchase of the all these pens and gave a nice way to keep them all organized. The 64-pen set works out to $1.25 per pen which is cheaper than buying the pens individually so the case is basically free. WIN!
The 64-color set includes 17 classic/regular pens (in 0.3 mm and 0.4 mm), 14 metallic pens, 10 Moonlight pens, 13 Stardust pens, and 10 Shadow Pens (5 in gold shadow and 5 in silver shadow).
The Classic Gelly pens (0.3 mm and 0.4 mm) glide on in a gloss look and dry to an opaque matte finish. These are available in fine and medium point and include on opaque white which is probably one of the most popular options. The white is a great pen for adding in highlights on drawings, using as a “white out” pen or for writing on dark papers. The Gelly Roll Classics look like matte paint when dry which is part of their appeal.
The Metallic pens (0.4mm) have a fine mica metallic sheen and are opaque making them great for dark stocks. The colors included a range of jewel tones, gold, silver and copper plus a black metallic which reminded me of asphalt.
The Moonlight colors (listed as 0.5 mm but its seems much wider) are fluorescent and/or super opaque bright colors but take an age to dry and are a pretty wide point. Despite the slow dry times and wide tips, I find myself reaching for these over and over.
The Stardust pens (listed as 0.5 mm but its seems much wider), particularly the clear which is one of my favorite, are glitter with an archival ink base. The glitter may flake away but the colors will remain true. These also had a bit longer dry time but not as long as the Moonlight or Shadow pens.
The Shadow pens (0.7 mm) are the strangest of the bunch, in my opinion. These pens will halo with either silver or gold with a core of the ink color. They are very thick, viscous color and take some time to dry but would be fun for decorating envelopes or letters. They are definitely a bit too broad from general note-taking.
I tried to photograph my samples from a couple angles to catch the light and show the tinkly effects of the various pens but I think I’ll end up having to put together a quick video just to show off the full effect at some point.
Strangely, my favorite colors in the set ended up being the Moonlight Fluorescent Vermillion, the Stardust Sky Star, the Metallic Emerald (that was sort of a “duh”), the Stardust Clear glitter, the Classic medium orange, and the fine Classic Royal Blue. I pulled those out and added them to my daily pen case. I’m still trying to figure out the best ways to utilize the Shadow pens but I suspect envelope addressing will be their forte.
If you think you might ever want to go down the Gelly Roll Rabbit Hole, I think you’re going to have to buy the whole 64-pen box. You’re going to want ALL OF THE COLORS. I know I did and I’m glad I did. Yes, $80 is a lot of money but then I think how much I spend on one fountain pen and it all goes back into perspective.
DISCLAIMER: This item was sent to me free of charge by Jet Pens for the purpose of review. Please see the About page for more details.
It’s a week full of Hobonichi love. Whether you are using it as a planner or as a daily journal, it seems like the Hobonichi is THE book of the year. And there are a few more round-ups to finish out 2015 too.
I’m fully prepared for backlash and vitriol from this post, but, over the years, Moleskine continues to be the measure used — for better or worse — for all other notebooks. First and foremost, Moleskine notebooks are available in a multitude of sizes, configurations and form factors. The overall aesthetics are streamlined and understated. While you might not love them, its hard to truly dislike them. If anything, they are plain. And they are ubiquitous. You can buy them almost anywhere: the airport, the bookstore, the coffeeshop or your favorite boutique.
What really spurred me was a recent comment that suggested that the paper stock used in the Moleskine Cahier, Volant and standard Moleskine Notebooks was different. Well, that gave me something worthy of investigation.
So, I bought one of each at the standard large size (5″x8.25″ or 13x21cm slightly smaller than A5), new, off-the-shelf from my local Barnes & Noble. I wanted to make sure I had recent editions and not ones that had been sitting on my shelves for months or years that may have been manufactured with different paper stock. I purchased all plain notebooks since I like to use guide sheets and Moleskine paper is very conducive to using your own guide sheets as the paper is not super thick. Of course, all the Moleskine notebooks are also available in other colored covers but I went with plain black. The Cahier I couldn’t find a black version so I went with grey as the next best option for neutral.
I also tested the week-on-two-pages planner for 2016, also with the soft cover, which I got through Jenni Bick. I was curious if the process of adding printing created any coating on the paper that might alter ink adhesion in any way so the planner is my monkey wrench in the testing process.
Of course, my expectations are not that the Moleskine notebooks are all of a sudden 100% fountain pen friendly or anything like that but there are many readers who don’t need all-day, everyday fountain pen friendly paper. And there are lots of other notebooks that we often rely on heavily that don’t support fountain pens the way we wish they would like the Baron Fig, Field Notes, or Word Notebooks.
As pen and pencil aficionados, we also love gels, rollerballs, ballpoints, pencils, felt tips, brushes and all sorts of other mark-making tools. And sometimes, we need something that is easy to find in the size that fits our favorite Fauxdori, Roterfaden Taschenbegleiter or whatever other carryall or pocket we need to stuff with paper.
Format
No. of books
Pages/book
total pages
cover material
binding
extras
MSRP
Plain Softcover
1
192
192
leatherette
perfect bound, stitched
ribbon bookmark, gusset pocket
$19.95
Volant
2
96
192
plastic
perfect bound, stitched
sticker sheet, all pages are perforated
$13.95
Cahier
3
80
240
cardstock paperboard
exposed stitching
glued slit pocket, last 16 pages perforated in each book
$13.95
First things first… a spreadsheet of specs!
The first thing I noticed when I put together my spreadsheet is that the Cahier 3-set is a better price value, page-per-page, than the Volant or the soft cover notebook, sales or discounted pricing notwithstanding. Of course, the covers are not as durable but the Cahier sets include the perforated pages in the back and the pocket so there are still some “extras”. I just thought it was interesting to note.
My experience with the large, soft cover plain notebook is pretty much identical to the XL version. The paper behaved as well as I expected and I’m finding that the flexible cover is a good compromise between the classic hard cover Moleskine notebook and a floppy paper cover. The soft leatherette cover actually feels very nice in hand and allows the cover to be folded back or to lay flat as I need it. It also slims the book ever so slightly so its not quite as bulky overall. The soft cover notebook still includes the gusseted pocket in the back, ribbon bookmark and the vertical elastic like the classic hard cover version.
The covers on the Volant feel the most rugged of the three. They are more plasticky feeling than the leatherette quality of the soft cover which feel more supple and upscale. However, I do like that all the pages in the Volant are perforated as an option. If you are looking for a notebook that could be used for lists and leave-behind notes, the Volant offers the easiest flexibility. There are no extras in the Volant — no ribbon bookmarks or pockets in the Volant so its a very stripped down and streamlined notebook. The writing sample on the Volant was absolutely consistent with the plain notebook. My husband voted the Volant his favorite.
The Cahier notebooks are lovely to look at with the exposed stitching and the kraft paper covers. However, the paper in the Cahier did seem to be more inclined to feather the fountain pen inks than in either the Volant or the soft cover or the planner. Even the J. Herbin Emerald of Chivor in my TWSBI EF behaved nicely in all but the Cahier. Now I don’t know if the Cahier paper behavior was a fluke but it even shadowed and bled to the reverse more than the other three. Maybe that’s part of why its a slightly better price value? You get what you pay for?
Finally, for comparison, I also tested the week-on-two-pages 2016 Weekly Planner (with the same soft cover as the plain notebook) to verify that, in printing, the paper quality didn’t change. I used all the same pens with the same inks as I did on the plain paper which I assume was not run through printing press and the results were consistent with the plain notebook and the Volant. The Cahier paper still seems to be a little more absorbent than any of the other papers but generally speaking the printing lines don’t seem to alter the quality of the paper. So if your preference is lined or graph paper, Moleskine notebooks will withstand the same scrutiny that the plain books do.
One of the things I really enjoy about the Moleskine paper is the warm white color and the smoothness of the stock. The warm white color is very inviting and easy on the eyes. I find it less intimidating than a stark, bright white sheet found in other notebooks.
(Click on image to view full size)(Click on image to view full size)
For the writing tests, I left the full-sized images available to view so that you can get as up-close and personal with these photos as you’d like. As you can see, with most everyday, fine line pens the Moleskine paper performed pretty well. Even fine fountain pens were mostly well-behaved. I particularly like how felt tip pens pens behave on Moleskine paper like the Sharpie Pen and Staedtler Triples Fineliners. They sort of grip along and make lovely marks.
Because the Moleskine paper is very smooth, if you do prefer a very fine writing tool, you are unlikely to snag an 0.25mm on the tooth of the paper. Pencils also glide across the paper. Even the finest Pilot Hi-Tec C, Energel Needletip or (my current favorite) Platinum Carbon Pen, skates across the paper. Despite the issues with some fountain pens and fountain pen inks, many writing tools are a joy on Moleskine paper.
Since most of my daily writing and drawing work is done with a 0.5mm or smaller tool, the Moleskine paper is really quite adequate. And all of the plain paper performed the same. What I did notice was that heat or moisture from my hand could affect the paper. Its not heavyweight paper by any means but honestly, neither is Tomoe River. Sure, Tomoe doesn’t feather but its transparent and takes an age to dry so there are trade-off’s with any notebook or paper you may choose.
(Click on image to view full size)Reverse of pages. (Click on image to view full size)
From the reverse of the pages, you can see some ghosting and show through on the top row which is the planner and the Cahier but not so much as to be distracting when written on the other side. With the plain paper notebooks, I tend to only use one side of the paper anyway. For the planner, I use mostly color coded gel pens for daily use so they don’t show through as much as the testing actually demonstrates. Generally speaking, the reverse of the pen tests were not as bad as I was expecting them to be. Of course, I didn’t try a lot of wide calligraphy fountain pens but even my brush pens behaved with some discretion.
So, in the end, the Cahier paper does seem to be a little thinner, and a little lower quality, than the paper used in the Volant and standard notebooks. I’d be more inclined to recommend the Volant and the soft cover notebooks over the Cahier if you’re going to dip your toe back in the Moleskine pool.
Part of what spurred my interest in all this Moleskine business was when I started using my Moleskine XL for a daily sketchbook late last year. I’ve warmed back up to the possibilities of the Moleskine notebooks. I’ve carried the XL everyday, to and from work, doodled, written, stamped, scribbled, watercolored and basically treated it as the workhorse object it was designed to be treated. To no ill effects. For three months. I’m happy to keep drawing in it. In fact I look forward to continuing to fill the pages and THAT is why we have notebooks. This goes back to the whole reason I keep a notebook — so that I write and draw and make marks.
I think whatever notebook makes you want to make marks, write your story, save your memories, doodle, scrawl or write your grocery list, don’t feel guilty about it. If you love a Moleskine, use it. If you prefer an Italian embossed leather notebook purchased on the Bridge of Sighs, than use that. The best notebook is the one you have with you, no matter which one you choose.
Looks like folks are getting geared up (ink and pens at the ready!) for February and Letter Writing Month this week as well as putting some black inks to the test and lots of notebooks. Planners are in full use and everyone is hard at work on their page-a-day challenges. Keep warm in the northern hemisphere and stay cool down south.
It’s a week full of Hobonichi love. Whether you are using it as a planner or as a daily journal, it seems like the Hobonichi is THE book of the year. And there are a few more round-ups to finish out 2015 too.
