Our fine sponsors, Pen Chalet are giving away the perfect fountain pen starter kit: a Lamy Safari, a bottle of Lamy ink and a Lamy LZ24 converter.
The giveaway entries will be accepted through this week until Monday August 18th at 9 PM Pacific time. Enter early, enter often! Be sure to go over to Pen Chalet to enter the giveaway.
Ian from Pens! Paper! Pencils! has built a site called Pennaquod specifically designed to seek out and find posts on pen-related blogs. It features a custom search tool that just searches from within the pen community. So, if you’re looking for genuine pen blogger reviews, this will streamline your search results. This is particularly handy if you know you recently read a review for “Pelikan M205” but cannot remember which site it was on. This will just search from the pen bloggers listed and bring back the results. Easy peasy.
Ian has set this site up as a tool for the community and is not making any profit from it. Thanks for the efforts, Ian! This is going to end up being my go-to search engine since all I ever search for is pen-related.
The list of sites used to compile the results is also super handy as it may lead you to new pen blogs.
If you’d like to have your site added to Pennaquod, use the contact form on the site to submit it for consideration.
Think maybe pencil pals can be added too?
After trying out the Stillman & Birn sampler packet, I went ahead and got two sketchbooks. A 5.5×8.5″ Epsilon series hard cover and an 8.5×11″ Alpha series hard cover. I always think of the 8.5×11″ black hard cover as the quintessential artist’s sketchbook. This was the first sketchbook I ever got when I started art school. Its the book made popular by graffiti artists often just called a “black book” or “piece book”. Many companies produce versions of this book and, to be honest, I’ve always considered the popularity in the Moleskine notebooks attributable to the ubiquity of the “black book” sketchbook.
That said, in recent years, I’ve found the quality of the standard black sketchbook to be so-so. The paper seems thinner than ever and the construction is not nearly as durable as I remember it being. Until, that is, the Stillman & Birn books came into my life.
Both books feature a heavy 100lb/150gsm weight paper and have a textured, black leatherette over stiff hard cover boards. The interior pages (62 sheets/124 pages in each book) are stitched. There are no additional features to these books: no pockets, ribbon bookmarks or other embellishments. These books mean BUSINESS and they feel super durable.
Once the paper branding bands are removed from the book, the only branding is a blind deboss of the Stillman & Birn logo on the lower portion of the back covers.
The smaller Epsilon sketchbook has a smoother paper texture than the Alpha paper and the label describes it as “plate surface”. The recommended use listed is “…line drawings without feathering or bleeding”. With the smoother surface, the line quality is a little crisper than with the Alpha, especially at smaller sizes. The paper color in the Epsilon books is also a tiny bit whiter than the Alpha which is more of a natural white.
As you can see from the reverse, the only real show through was the Zebra Permanent marker (similar in formula to a permanent Sharpie marker). In person, I can see a bit more of the ghost of the writing on the previous page but I feel confident that I could use both front and back of each sheet without bleeding issues or obscuring the previous page.
The Alpha Series features a natural white paper with a slight tooth to the paper. The label lists the paper as “vellum surface” and lists the recommended uses as “suitable for all dry media, will accept light washes”.
I tested the Alpha paper with ink and some of my more arty tools since I expected that this, of all paper, would be able to handle it. There’s a tiny bit of show through but no bleeding at all, even with the wet ink that was applied like watercolor. The paper did not buckle with my light ink wash. I’m sure with a wetter application of watercolor, it might buckle a little bit but it seems more than adequate for a range of tools, including wide nib fountain pens, and a little experimentation.
If you are looking for paper able to withstand a lot of water application, try the Beta, Delta or Zeta line. Those are 270gsm paper designed for wet media. If you’re more inclined to do some light washes or mixed media, the Alpha or Epsilon books should be perfectly adequate.
From the reverse of the Alpha book, you see there’s very little show through. In person, I can discern a bit more show through than can be seen in the photo but not so much that I wouldn’t be comfortable using both sides of the paper.
Honestly, its hard to have any criticism of these books at all. The paper is beautiful and they handle fountain pen ink without bleeding or feathering. The construction is top-notch and super-durable. Stillman & Birn offer such a great range of products that if these books didn’t satisfy my needs, one of the many other books in their line would. The S&B sketchbooks are priced neatly in between budget-priced black sketchbooks available in art supply stores and the prestige notebooks like Moleskine and Rhodia.
I always like to have a “black book” handy at work for sketches and rough drawings and I think my go-to brand now will be Stillman & Birn. Maybe I’ll even start that sketch journal I’ve been meaning to do?
The best online source for Stillman & Birn is Goulet Pens or ask your local art supply store to start carrying Stillman & Birn.
DISCLAIMER: This item was sent to me free of charge by Stillman & Birn for the purpose of review. Please see the About page for more details.
The Noodler’s Ahab pen is a good plastic fountain pen option for the price point. And to be honest, though it is light in the hand like a plastic pen, it doesn’t look cheap or plastic-y. The metallic sheen in the color makes it look like a pricier pen. The chrome trim looks good and the construction is clean and well-assembled. Compared with the Dilli pens, this is a much nicer looking pen.
Its has a large-capacity, piston-filled ink reservoir. This gives you lots of opportunities to play with bottled inks.
At just $20, its also a great way to try a flexible nib. There are lots of color choices with the Ahab line but I chose the Amazon Pearl. There were actually several green options available so it was hard to pick just one.
If you find that a flexible nib is fun but not something you are inclined to write with everyday, the Ahab is a great way to try out one of the Goulet Pens #6 nibs. I’ve already tested out the Goulet Pens EF nib on my Jinhao X750. I used the 1.1mm italic stub nib from Goulet Pens($15) with my Ahab. The Goulet Pens nibs are chrome nibs with the Goulet ink drop logo and some etched, decorative scrollwork. They are quite pleasing and matched the chrome trim on the Ahab.
The nib worked as soon as I swapped it out and the line quality is pretty crisp thanks to the 1.1mm stub nib. It was super smooth and even left-handed and upside down, I had no trouble getting the pen to lay down a steady flow of ink.
I really like the quality and pricing of the Goulet nibs. I might buy one of the Noodler’s Acrylic Konrad fountain pens in order to have a full-time pen body for Goulet Nibs and keep this Ahab as a dedicated flex pen. (PS: A review of the Noodler’s Flex nib in this pen is coming soon!)
I tested the nib on my Rhodia No. 18 Uni Blank pad with Pilot Iroshizuku Ku-Jaku teal-y blue ink.
DISCLAIMER: This item was sent to me free of charge by Goulet Pens for the purpose of review. Please see the About page for more details.
Do I love lime green? You know I do. (See the matching nail polish for proof.)
Do I like Leuchtturm1917 notebooks? Yup.
Do I really like when the two things come together with all the genius of peanut butter and chocolate? Of course!!
Okay, on to the real review…
The Leuchtturm1917 notebook line was recently updated. They added four neon colors (orange, yellow, lime and pink) in their large and pocket-sized hardcover notebooks. The other notable difference with these neon books is a subtle dot texture in the cover leatherette material. As it catches the light, the dots are visible. Its really kind of a cool effect.
The only exterior branding is a debossed logo, centered across the bottom edge of the back cover. I appreciate when brands recognize that I don’t want their logo front and center of my notebook.
I think it’s been awhile since I’ve used a Leuchtturm1917 but I noticed that the large hardcover notebook was a bit wider than most A5-ish notebooks I’ve used. It’s 5.75″ (14.5cm) wide and 8.25″ (about 21cm) tall. In comparison, my current notebook, the Palomino Blackwing Luxury notebook, is just over 5″ wide.
Inside, the notebooks feature the same 80 gsm ivory paper with light grey lines. The lines run from edge to edge and there is a top margin for the date. These books, like all the Leuchtturm1917 notebooks include the index pages in the front as well as page numbers on each page to help to organize and archive your writings.
Inside the back cover is a gusseted pocket. The vertical elastic and ribbon book mark match the covers. I’m noticing some fraying on the bookmark already so I’ll hit the end with a little white craft glue (fray check will work too) to keep it from falling apart.
Leuchtturm1917 notebooks include a sticker sheet for labeling the cover and spine as well as a thank you note and a short history about the brand.
For my writing tests, I made sure all my pens color coordinated with the book, at least from the outside. None of the fountain pen inks feathered (not even the super watery J. Herbin) and dry time was pretty reasonable.
There’s a little show through on the reverse side of the page but no bleed through. I think the show through is more noticeable in person than in this photo. I would not be inclined to use both sides of the paper with dark inks or a wide nib fountain pen but with gel pens, felt tip, ballpoint and rollerballs, its not too bad.
Overall, I really like the Leuchtturm1917 notebooks. The lines are pleasingly light, the index and numbered pages help get me a little more organized than I might otherwise be. And you can’t beat the color choices. The paper is a good upgrade from other similarly-priced notebooks (like Moleskine) but its not as fountain pen-friendly as Rhodia/Clairfontaine which is a little more expensive, offers fewer cover color options and puts a big honkin’ logo on the cover.
The Leuchtturm1917 large hardcover notebooks sell for $18.95 each through Goulet Pens. And yes, there are several other, more sedate colors to choose from.
DISCLAIMER: This item was sent to me free of charge by Goulet Pens for the purpose of review. Thanks to Rachel for picking out the PERFECT color for me. Please see the About page for more details.
When I heard about Leaf Cutter Designs’ Tiny Mail Activity Kit Kickstarter project, I had to invest in it. I missed the chance to buy the kit when Chronicle Books released the first kit. But what is so awesome with the Kickstarter project is that Leaf Cutter wanted to make a new kit EVEN better than the original release. The kit added more die cut envelopes, envelope liners, newspaper wrapping papers with real news stories printed on them, a super fine line Sakura Pigma Micron, string, a magnifying glass, tiny postage stamps and tiny rubber stamps to mark the parcels “air mail” and such.
Everything is incredibly well-produced with plenty of pieces to send lots of teeny tiny letters and parcels. The boxes used to organize the kit can be used to wrap small parcels as well which is extremely handy.
Kits can now be purchased directly from the Leaf Cutter website. The standard kit is $32 and my deluxe kit is $49. I can’t recommend it highly enough. Its absolutely fab!
The Monteverde Prima is another of the gloriously swirly body designs from the Monteverde line. Like the Intima, the colored resin is beautifully done. While the Intima is lime green blended with white and kelly green, the Prima is blended with black. For some reason the luminous, almost iridescent quality to the resin is more noticeable in the Prima.
The Prima has black accents with small chrome details. The clip and the nib on the Prima are silver toned instead of black. Overall, the Prima has a more traditional fountain pen look even though the colored resin is very contemporary and vivid.
There is a slight transparency to the green resin so I can see the shadow of the internal workings of the pen. I don’t think its noticeable unless you’re looking intensely at the pen. I suspect in darker resin colors, this effect is probably less evident.
The pen is heavier than I expected, it feels solid. The Prima and Intima are my first experiences with resin fountain pens rather then plastic or metal. The material feels sturdy.
The nib is super silky. I am continually being surprised by how nice the Monteverde nibs are. I’ve now tried the medium nib, the 1.1mm stub nib and this, the fine nib. It easily writes in almost any position. If I grab it to jot a quick note, there is no needing to find the “sweet spot”. Its also so slick that when combined with good ink and high quality paper, I have to work a little to keep the nib from getting ahead of me. I think this makes this pen a good candidate for a drier ink (or a not-necessarily lubricated ink) and the assorted, everyday papers found in the average office. I tested it on a few copies — the standard 20-24# bond found in most pritners and copiers — and the nib had a bit more “traction” which worked out well. It definitely makes this a good option for an office pen, where you may have less control over exactly what kinds of paper you may have to write on.
The nib is labelled “Monteverde Monteverde USA” and feature the jagged mountain range logo across the nib. Why they need the brand name twice in that wretched Architect font, I do not know? That said, the branding on this pen is also very subtle. It only appears etched in the chrome ring around the base of the cap and on the nib. On the end of the cap is the mountain range branding mark which, while I don’t love it, I can tolerate it.
Like the Imtima, if lime green isn’t your thing, there are a lot of other colors. I particularly like the turquoise and the tiger’s eye colors. I’m getting lured by the purple though. Who’d a thunk?
The Monteverde Prima is available at both Goulet Pens and Pen Chalet for $56 in the full range of colors and nib sizes.
Thanks so much to Jon who very kindly decided I might want another green fountain pen. He was so right.
