Ink Review: Sailor Shikiori Yozakura

Ink Review: Sailor Shikiori Yozakura

Next up in the new Sailor Shikiori line is Yozakura (20ml for $15). I was going to save this one for last because I thought it was going to be my favorite of the four but it ended up taking second place. So, there. I ruined the finale. You can skip ahead if you want. Or keep reading, if you want the full story.

When I saw Yozakura, it pushed all the right buttons for me initially — that slightly off kilter smoky purple/pink hue plus awesome Sailor ink in a nice bottle and, for me, the bonus of not being in a giant bottle. I thought it would be a win all around.

However, my penchant for fine and extra fine nibs would be the downfall here as the ink is lighter and more translucent than other inks in a similar vein. While Yozakuza was able to get some okay color (when dry! It dries darker than when its wet.) in wider nibs, in extra fine pens, its really quite light for regular usability. It does dry to a readable color but in actual writing, I found it a bit challenging to use.

I think with dip nibs, fude, calligraphy nibs and other specialty nibs it would be okay.

If Yozakura is the sort of smoky purply color appeals to you, I’d recommend Robert Oster Viola or Australian Opal Mauve instead. I love those colors for the range of shade and sheen and they are legible even in fine nib pens.


TOOLS

The Great Eraser Rub-Off Challenge, Round 2

Review by Tina Koyama

A while back Ana conducted a massive Eraser Rub-Off, in which nine erasers battled for dominance in the obliteration of graphite and colored pencil markings. I decided it was time for Round 2, with a little twist. (Sorry, no video from me!)

In addition to the usual eraser needs when I’m writing with graphite pencils, I also have a specialized need: erasing colored pencils. While I don’t often erase large areas of color (if that’s needed, I start over), I sometimes want to brighten a highlight that I’ve inadvertently lost or, more likely, forgotten to save the white of the paper for. That specialized task usually calls for an eraser that can cleanly rub out a tiny area.

My long-time favorite for this task has been the Tombow Mono Zero with a rectangular eraser ($5.25),whose precise corners are ideal for putting in small highlights in colored pencil sketches where I need them. It’s also an all-around great eraser for basic graphite writing, too. So in Round 2, I considered the Mono Zero to be the defending champ. Would any of the new challengers threaten or take its title?

The challengers are:

  1. Kokuyo Miri 5 Function ($3)
  2. Kokuyo Kadokeshi 28-Corner ($3.50)
  3. Moleskine (which comes in a set with a sharpener) ($5.95)
  4. Pentel Ain Clic Knock ($2.50)
  5. Uni E-Knock ($1.65)
  6. Tombow Sand ($2.65)
  7. Seed Sun Dolphin 3 (electric) ($22.50)
  8. Palomino Blackwing (10/$2.95 for refills; I used the one attached to my pencil)

The writing utensils I used for the challenge were a Palomino Blackwing Volumes 16.2 pencil (which has a “firm” core), a Mitsubishi Penmanship 6B graphite drawing pencil, an indigo blue vintage Col-erase colored pencil, a scarlet Faber-Castell Polychromos colored pencil, and a bright green Caran d’Ache Museum Aquarelle water-soluble pencil. The colored pencils I chose cover the range of erasability, from most easily erased (Col-erase) to most troublesome (heavily pigmented Caran d’Ache). Since the Tombow Sand eraser is intended for ink and typewriting, on a whim, I decided to toss a Jetstream ballpoint pen into the mix.

The papers I tested on were a Plumchester sketchbook, which has a smooth surface similar to many journals and notebooks, and a Canson XL mixed-media sketchbook, which has a relatively toothy surface.

Before I show you the results, I have to confess that I went into the challenge with some prejudices. I had high hopes for the two Kokuyo erasers with such funky shapes! Surely all those corners and edges would be excellent for making small targeted erasures. And they both get bonus points for cool design, right?

I also had high expectations for the Seed Sun Dolphin electric eraser. I had been wanting to try an electric eraser for a while, but frankly, I was a bit intimidated by some of the fancy models I’d seen in the architectural section of art supply stores. This battery-operated model looked closer to my pace.

OK, now on to the results.

On the Plumchester’s smooth surface, most contenders performed satisfactorily in easily rubbing out graphite writing. The heavy shading from the Uni Penmanship took more effort, but most took the graphite off cleanly. The one exception in both cases was the Moleskine, which was the challenge’s only black eraser. It had a harder time cleaning up the Penmanship’s shading and even the Blackwing’s writing without smudging, or maybe it was just leaving behind some of its own black material. Most of the white erasers created medium-to-long strings that were easy to blow or brush away. The Tombow Sand eraser made small dust particles instead of strings.

As expected, the colored pencils presented a tougher challenge for all contenders. Still, the Kokuyo 5 Function, the Uni E-Knock, and the Pentel Ain Clic Knock did very respectable jobs on the Col-erase and Polychromos – at least as well as the Tombow Mono Zero defending champ. The Moleskine did OK too, at least in taking off pigment, but it also left a dark smudge as it erased. The electric Seed did the best cleanup job on all colored pencils, beating even the champ.

Not surprisingly, the toothy mixed-media sketchbook gave all contenders a heavier workout. Although erasing took more effort, most erasers did satisfactorily on graphite (the Blackwing did a bit worse than others). The Tombow Sand smeared. The Uni E-Knock did a particularly clean job on both graphite and colored pencils. Caran d’Ache’s high pigment content was especially challenging for all but the electric Seed.

Of note: None of the erasers could touch ballpoint pen on either paper – not even the Tombow Sand eraser that is intended for ink. (If you want indelibility, ink still wins.)

You can see for yourself how the contenders performed, but I’ll mention a few other points. While the Sand eraser did a good job of rubbing out colored pencils, I could feel that the paper had been abraded by the eraser’s particles. If you don’t plan to draw or write again on the erased surface, it’s probably OK, but if you rework it, I’d be wary of damage to the paper’s surface.

The two Kokuyo erasers, which I had high hopes for, competed admirably in terms of rubbing out marks, but both were disappointing in operation. Although they have all those small corners and edges that should be able to target tiny areas, I had difficulty seeing where the corners and edges were aiming, so my erasure often ended up wider than I wanted.

The electric Seed Sun Dolphin takes a bit of practice to control and use effectively. The switch feels misplaced on the boxy base, at least for my hand, making it a bit tricky to hold at the right angle for erasing. If you leave it too long on one spot, it can sort of run away with you.

The Winners

The electric Seed Sun Dolphin erased the most completely as well as with the finest point – two of my most important erasing requirements – so I was very pleased by its performance. As a final test, I made the small tomato sketch and deliberately didn’t save out the white of the paper for the upper-left highlight. I used heavily pigmented Caran d’Ache Pablo colored pencils in a Stillman & Birn Alpha sketchbook. After three layers of pigment, I used the electric Seed to erase out the highlight, and since I had practiced aiming and controlling the thing, I was able to point it where I wanted it. The highlight is not as bright as it would be if I had saved the paper, but it’s perfectly adequate for my purposes, and the paper’s surface doesn’t feel damaged. With that, I declared the Seed Sun Dolphin the winner of the Rub-Off!

I realize, however, that it wasn’t quite fair to throw that electric into the mix, and for most people who just want to erase a word or letter, it’s probably overkill. So I also chose a manual champ: The Uni E-Knock. It erased as effectively as, and sometimes better than, my former favorite Tombow Mono Zero. It also has a slightly chunkier barrel than the Zero, which I find easier to hold and use. The plastic body isn’t quite as classy looking as the Zero’s modern styling, but it gets points for being see-through. I just wish it had a rectangular eraser like the Zero. Honorable mention goes to the Pentel Ain Clic Knock, which also did a fine job, and its triangular-shaped eraser has good corners that are easy to aim. However, its body loses points for being as sharply triangular as its eraser and for its strangely robotic-looking knock mechanism.


tina-koyamaTina Koyama is an urban sketcher in Seattle. Her blog is Fueled by Clouds & Coffee, and you can follow her on Instagram as Miatagrrl.


DISCLAIMER: The items included in this review were provided free of charge by JetPens for the purpose of review. Please see the About page for more details.

Ink Review: Sailor Shikiori Yonaga

Sailor Shikiori Yonaga (20ml bottle for $15) is the other new blue color added into the smaller bottles released this year from Sailor as the Shikiori line. We talked a bit about it this week on Ep. 292 of The Pen Addict and neither Brad or I were clear as to whether Sailor was moving away from the larger Jentle bottles completely. I’m still looking into it so as soon as I know more, I’ll let you know. In the meantime, the larger bottles are available on Anderson Pens for all the Jentle Four Seasons colors. The only small 20ml bottles are the four new colors including Yonaga.

My initial impression of Yonanga was that it was just a vibrant indigo blue. It’s that shibori blue. The deep, rich indigo color. However, I let my swatch sit long enough to discover that there is actually a sheen of green/gold to the ink that you might not notice right away. It appeared after the ink had time to sit for awhile and dry completely. The green/gold sheen rose to the surface of my Col-o-ring swatch card after a couple days. Maybe I didn’t notice it right away because it was overcast when I did the swatch (hurray, January) or it took some time for the cast to rise to the surface.

I noticed the sheen a bit more on the Rhodia writing sample but my gut reaction to Yonaga was lukewarm initially to this color overall. I don’t tend to go for deep blues in general. However, upon reflection, I am really appreciating the depth of this color.  If blues are your cat nip, this one might just be one you’d want to consider.

I pulled out a few comparable blues from the collection thinking I’d have so many that were exactly the same only to discover that they were all just a little different. Parker Quink Blue Black is a little dirtier, while the Bookbinders blues are both more vivid blue. The Robert Oster Dark Star Blue is probably the closest match and, milliliter-to-milliliter,  a better value, But if I had to pick from Sailor’s own line of awesome blues, Souten wins with a fabulous blue and a wonderful sheen too.

Addendum:

Another little tidbit about these Sailor Shikiori inks! Accodring to the JetPens newsletter, the new Shikiori colors Yonaga, Shimoyo, Yodaki (review soon) and Yozakura (review tomorrow!), they were all made to match the new Tsukuyo-no-Minamo fountain pens ($70). They look like a gold accented version of the ProColor line with gold tone hardware and sparkle infused translucent bodies with contrasting caps. Gaudy or pretty? I can’t decide?

Well, well. That explains something.


TOOLS

Eye Candy: Kaweco x Bungbox June Bride Something Blue

Eye Candy: Kaweco x Bungbox June Bride Something Blue

One of my first fountain pen loves was Kaweco fountain pens. When I was given the opportunity to get a limited edition Bungubox June Bride Something Blue AL-Sport, I said yes immediately. I didn’t know what it would cost with the premium and currency exchange and shipping but I threw caution to the wind and bought it.

The pen came in a specially stamped black tin box with the BunguBox logo and the “June Bride Something Blue” name on the lid. The type face leaves something to be desired but that’s the designer in me talking.

Inside the tin is the pebbled finished turquoise aluminum Kaweco which is a gorgeous color and stamped in white matte foil or silkscreen is the same type “June Bride Something Blue”.  Also included is a piston cartridge converter. This is the first time I’ve gotten one of these from Kaweco so I’m crossing my fingers that its more efficient than the squeeze converters.

(Amusing upside photos of the cap as seen from the perspective of a left-handed writer.)

I purchased the fine nib but I have yet to ink up the pen. I have so many other Kaweco Sport pens that this one has made its way into the “collector” category at the moment rather than into the “user” category. Have I become that kind of pen collector?

 

Link Love: Vintage Colored Pencils

First, my apologies for the lateness of Link Love this week. Recording Pen Addict yesterday morning threw off my schedule and then the review for the Wancher True Urushi Kickstarter pen was supposed to go live on Wednesday was delayed until this morning so that also toppled my schedule a bit. Throw in my getting over a cold and my road tripping visitors and you had the imminent delay! So, I hope I made it worth your wait.

Big news this week is that Ink Smudge popped back up in my feed due to a weird RSS glitch so there was a back log of posts. Most importantly because there’s a great “Being Left handed” post that joins Maybelline from On Fountain Pen’s post about the Lamy Nexx (also a lefty) and a regular staple on Link Love Junee from Alt. Haven who is another favored lefty. Enjoy a plethora!

The Art & Art Supplies section is all of Tina’s Vintage Colored Pencil reviews this week which are so fun to see gathered together. No nepotism here!

Everyone is gearing up for LetterMo and InCoWriMo so get you pens, paper and stamps handy there’s still time to participate. You can always write to your family, your local friends or even your local politicians.

Pens:

Ink:

Pencils:

Paper & Notebooks:

Letter Writing:

Art & Art Supplies:

Other Interesting Things:

Kickstarter: Wancher True Urushi Fountain Pen in Red

Kickstarter: Wancher True Urushi Fountain Pen in Red

Wancher from Japan has just launched their Kickstarter for the True Urushi line of fountain pens. Its one of the pens in their full Kickstarter that includes an ebonite “Dream Pen” (Super Early Bird is $175/Early Bird is $185)  and a maki-e pen as well. The True Urushi (Super Early Bird pricing starts at $350/Early Bird at $385) is available in black, red and blue and the tamenuri red which is a pooled dark red finish. The maki-e is a black urushi design inlaid with sakura (cherry) blossoms (Super Early Bird pricing is $1000/Early Bird is $1100) in a traditional Japanese design. The project is being launched as a chance to sell urushi pens direct to consumers from the manufacturer reducing the costs and hopefully making these unique pieces more affordable.

After talking with friends and examining the Wancher True Urushi pen, it is definitely a beautiful example of urushi. The weight in the hand is good and the finish is smooth. The cap has a spring load to help keep the nib from drying out similar to the design used by Platinum.

The transition between the grip and barrel where the threads are is comfortable though the overall pen is pretty large. The urushi keeps the pen light. Its a feeling unique to urushi pens. The finish is smooth but not slippery.

I examined the exterior of the pen closely and saw no flaws in the finish. With no decoration, there would be no place to hide if there was a bubble or scratch or other flaw and there was none that I could see.

My pen came with the German (Jowo, I think) gold nib in medium. There’s a bit of flex in it and, as a lefty, worked better if you write from an below-the-line writing position. If you are an overwriter or more of a side writer, the gold nib is probably going to flex too much and get choked by pushing it so I would recommend the steel nib instead. Its a friction fit nib so it could easily be swapped out at a later date should you choose to upgrade it.

The feed is ebonite and available in black or red. Upon photographing it with my macro lens, I was able to see it in a way I wasn’t with the human eye. The bottom three or so fins — do they look black to you? I wonder if the “red” ebonite feed is actually just painted to appear red? I wouldn’t have thought so until I took the macro photos but now I have to wonder. Regardless, the ink flowed well and the look is lovely. Will it stand up to repeated cleanings and stay red still remains to be seen but at the price point, I’m willing to risk it.

I don’t normally choose a medium nib but it provided a decent range of line variation. In a pen this size, I think a fine nib would probably be too small.

The True Urushi pen weighs 26gms capped and 18gms uncapped. Due to the lightweight quality of the urushi, even though the pen is the largest in my collection, it is certainly not the heaviest. The cigar shape does make it wider than many of the pens in my collection and after writing with it for some time, I did start to notice that it was noticeably wider than most pens that I use. For some, this wider shape will be a blessing. For me, it was just a touch too wide in the grip section to be comfortable in longer writing sections but I have VERY SMALL hands.

I’ve mentioned this in the past, my hands are kid-sized gloves small. This is probably the only issue I had. I will never have a future as a concert pianist and I have trouble with large pens. My hands are small. I don’t get to make jokes about Trump’s small hands because mine are smaller. Most adults will not have an issue but if you are also of wee petite hands, this pen might be a bit big in your hands. There. I said it.

The True Usurshi pen cannot be posted but is still a relatively long pen. It’s almost as long as many of my pens posted. From left to right: Franklin-Christoph Pocket 45, Sailor 1911, Pelikan M605, Lamy AL-Star, Wancher True Urushi, Pilot Custom 912, Platinum 3776 Shungyo, Sailor Pro Gear Slim.

Addendum:

I was lucky enough to have my pal Kasey come into town last night with his Nakaya Decopod in tow so that I could do a side-by-side comparison of the Wancher True Urushi with the Decopod. It had been some time since I’d held this particular pen in my hand so being able to compare apples to apples (so to speak) was a great way to wrap up this review. Of course, its not really apples to apples as we were joking last night because, really, the Wancher Ture Urushi is just going to be an urushi gateway for a lot of people.

Physically, the two pens are quite similar is length, width and weight. Lengthwise, the pens are almost identical. The Nakaya Decopod weighs 23gms capped and 17gms with the converter so it’s a little bit lighter. The grip section is a litle bit longer and the barrel overall is a bit narrower. The way that the facets line up everytime I unscrew and screw the cap back on really is sort of magical.

The Wancher True Urushi is 90% of what people want in an urushi pen. And when you set it next to something like a Nakaya Decopod, some of that 10% becomes clear. Of course, that 10% also comes with many $100s of additional more dollars as well so 90% may be enough.

The seam between the cap and the body is not as seamless as a Nakaya but it is consistent with a Namiki Urushi pen or Platinum’s Urushi 3776 Maki-e designs which are basically cigar shapes as well.

The pooling of color of the urushi finish that clearly denotes the exterior as urushi means a lot to people. If so, the tamenuri dark red will probably be the color that will be the most appealing.  But, of course, some of the various sizes and shapes of some urushi pens like the facets of the Decopod, the Piccolo, or the Dorsal Fin are what set the urushi pens apart from turned pens. The cigar shape of the Wancher True Urushi will whet the appetite for the feel of the material and the luster and sheen but the other details will have to be saved up for another time.

If you’ve never held an urushi pen in your hand before, the Wancher True Urushi fountain pen is a wonderful specimen of urushi work. It is priced to be within the reach of most fountain pen collectors (I think) for what it is. This is a handcrafted pen with a gold nib. It is priced consistently with a hand turned resin or acrylic pen or even a hand turned wood pen from a quality craftsperson. If owning an urushi pen has been on your bucket list but spending the money for a Nakaya or Danitrio seems prohibitively expensive, then the Wancher True Urushi is a great option.

The Luxury Leather Pen Case

If you purchase two pens in the Kickstarter, you can receive the Luxury Leather pen case as a bonus. Susan over on the Pen Addict wrote a review about this case in November and there was some dust kicked up about the case and its similarities to a Franklin-Christoph case. I did not know about the case when I accepted the review of the True Urushi pen review nor did I know that the case would be included in the Kickstarter. I’ve since talked to Brad about what, if anything, had happened regarding the pen case.

While yes, the shape is quite similar to the Lucky13 Penvelope, the material and weight is markedly different. The interior of the Luxury Leather pen case is soft fabric and not nearly as stiff as the material used in the Franklin-Christoph Penvelope. That said, I’d now like to discuss the case on its specific merits as its a free bonus. I know it may be a hot button issue for some people but its my understanding that due to the quality differences (this is not a stiff boot leather material) the Wancher Luxusry Leather pen case, which aesthetically very similar is not in the same league with the Franklin-Christoph Lucky 13 Penvelope.

The cover I received is navy blue pebbled leather with an ivory interior. Viewed from the side, its easy to see there would be more than enough room for taller pens than my small, dainty pen collection normally contains.

The Wancher True Urushi is clearly the largest pen in the case and fits snugly. The last five slots on the right contain my tiny Lady Sheaffer Skripserts which practically swim in the pockets as they are slim and clipless. Just to left of them is my new vintage Platinum ladies pen which does have a clip but pinched the fabric a good deal. All the pens to the left of those are modern pens and had clips and fit appropriately.

There was enough space in the pocket in the front to hold a slim A5 sized notebook and still snap the magnetic lock which would make this a good case to take to a pen meet-up or other pen-related event for pen testing and demonstrating. I wouldn’t try putting anything thicker than a notepad or slim notebook in the case though but its nice to know that you can at least get some writing material in there to make an on-the-go package out of it.

The case is a bit flexible overall but the leather feels nice in the hand and the interior ivory looks elegant and sturdy. Issues with comparisons to the Franklin-Christoph case aside, the Luxury Leather Case is a beautiful perk.

Extras

There are some additional add-ons in the Kickstarter campaign as well like a pen rest they call the “Pen Pillow,” roll stops that can be added to your pen for a more personalized design while keeping your pen on the table and two stretch goals to add additional urushi colors.


DISCLAIMER: This item was sent to me free of charge by Wancher for the purpose of review. Please see the About page for more details.