Pencil Review: Red/Blue Combo Redo

Pencil Review: Red/Blue Combo Redo

I have loved Red/Blue editing pencils for ages. Every time I find a new one, I buy a few more. I have been delighted to see that many of my favorite online stationery shops continue to find new sources for red/blue pencils. There are several theories surrounding the original uses for red/blue pencils and I think many occupations found uses for the red/blue editing pencils. Folks in the publishing and editing world used the red for editing notes and then the blue for STETs, potentially or for the second pass of editing and proofreading. Map makers might use the colors to indicate land and water. But today, some people use the colors for bullet journaling for to do lists and other indications in their planners.

I use them for drawing as I can ink over the red or blue and then scan the artwork and drop out the R or B channel and VOILA! the pencil marks disappear. Also, the material used in a red/blue pencil is usually wax or oil-based rather than graphite so it tend not to smear as much as a traditional graphite pencil so for a lefty, it tends not to smear so much for me.

Some red/blue pencils are erasable, some are not. And then there’s the Caran D’ache 999 which is water soluble. BONUS!

The pencils I tried:

The price range shows that some of these pencils are definitely more utilitarian while others are definitely more premium.

If you are looking for a firm point with rich color for writing or checking, I’d recommend the Prismacolor Verithin. The color is good and the point stays pretty sharp. The price is reasonable for a box of a dozen and they are readily available. If you want a softer point and budget priced, then go for the Harvest Thick 725.

After testing them, I cherry-picked out the ones I liked the best and, of course, they were the more premium pencils from mostly the Japanese brands. The Tombow 8900, the Mitsubishi 2637 and the Kitaboshi 9667 were my favorite from the Japanese manufacturers. These all come in about $1 per pencil individually but can be purchased by the dozen fairly reasonably on Amazon.  I also love the Caran D’ache 999 Bi-Color, partially because of its water solubility though some might want to avoid it for that. I’m willing to pay $3 per pencil for these. They are creamy smooth and wet well. I’d compare it to the Swisscolor watercolor pencils. Its not quite a Supracolor but its pretty good.

I tested all the blue pencil colors and all the red colors together to show the variations in the shades of red and shades of blues. I liked seeing the wide variety of color. Some of the reds are warmer and closer to orange, others are more fire engine red. And in the blues, the colors range from an indigo to almost a sky blue. I know some of the manufacturers purposely chose warmer reds for the checking pencils to be less stressful on students in Japan. You may find that you like a warmer or cooler red or blue on your checking pencil.

Sometimes I just like to sketch with these pencils because I like the color combinations. It’s a bit like sketching with a Magic Pencil without the chaos factor. Then I can add in the water solubility of the Caran D’ache for a little highlighting and I have a super portable sketch kit.

The cat drawing was done with the Prismacolor Verithin which is definitely a much cooler blue and red color. The larger face is a combination of Caran D’ache and one of the Japanese pencils which all use warmer reds and blues.

Overall, if you like to annotate your writing, notes, or planner, you might find a use for a few red/blue pencils. If you like to draw, you might also enjoy tucking a few red/blue pencils into your travel kit as they make a fun, fast way to add color to your art or sketches. Not to mention, red/blue editing pencils are a part of stationery history and tradition.

Do you use them? If so, how?

 

Friday Faves: Halloween-y

  • “Beware of the Thing”  letterpress print $5 (via Skylab Letterpress on Etsy)
  • Spooky Cat Halloween Pin $12 (via Rather Keen on Etsy)
  • MT Mosaic Greyish Washi Tape $3.50 per roll (via CuteTape)
  • Papier Plume Peacn Fountain Pen Ink $12 for a 50ml bottle (via Vanness Pen Shop)
  • Montblanc Heritage Rouge et Noir Coral Fountain pen $744.95 (via Appelboom)
  • Flipflop Pocket Notebook £2.99 (via Say Nice Things)
  • CDT Wooden Tape Dispenser $110 (via Fresh Stock Japan)
  • Pelikan M200 Smoky Quartz Fountain Pen $148 (via Pen Chalet)
  • Montegrappa Fortuna Merry Skull Fountain Pen €360 (€297,52 Outside EU) (via
    Fontoplumo)
  • Block Printed Blank Card (Set of 6) $16 (via Versa Notes)
  • Diamine Pumpkin Fountain Pen Ink (80ml Bottle) $14.95 (via Anderson Pens)
  • Diamine Shimmertastic Caramel Sparkle Ink (50ml Bottle) $20 (via Anderson Pens)
  • Pilot Style Choice Carbon Multi Type Pen Case in Wine Red $18 (vis JetPens)

Tag Team Review: Karas Pen Co. Decograph Fountain Pen

Tag Team Review: Karas Pen Co. Decograph Fountain Pen

Review by Laura Cameron (and Ana Reinert)

Ana:

Since both Laura and I have ended up purchasing or acquiring several of the same products, we have decided to do some “tag team” reviews where we provide two points of view. Since our pen experience levels differ and our tastes differ, sometimes our opinions will be similar and sometimes they will differ. We hope you’ll enjoy these posts.

Ana: I was lucky enough to pick up the Karas Pen Co. Decograph at the “unveiling” at the San Francisco Pen Show in August. The fabulous crushed green glass-look material used for my pen body is limited edition and not yet available in wider circulation. It’s ever-so-slightly translucent. In the right light, I can see the converter but its absolutely luminescent. The cap is the standard black thermoplastic with the aluminum finials and stainless clip.

The lighter weight of the thermoplastic material makes the Decograph easy to hold and the material warms in the hand like vintage pens.

The absence of a cap band gives the Decograph a sleek, streamlined look. This was made possible thanks to some clever engineering details inside. There’s a steep step-down inside the cap that keeps the grooves of the twisting far enough away from the edge of the cap that it will prevent cracking, thus avoiding the need for a cap band. So… the pen gets the streamlined look of a vintage pen without the fatal flaws of a cracking cap that plagues those old gems.

I paid to upgrade the nib on my Decograph to a Bock 14K gold EF.  I’ve not used the Bock gold nibs before I felt this was a good opportunity to indulge.

I don’t have a lot of experience with the Bock gold nibs but there is a nice bit of spring (not flex per se) and since the Decograph is lighter than a Fountain K or INK, the light, springy nib in a light springy pen creates a bouyant writing experience.

As a lefty, I had no issues writing with the stock gold EF nib. It had good line variation and will work well on the variety of paper stocks I have to use at work.

A lot of comments have been made about the Decograph packaging, both good and bad. The pen is definitely the most upscale creation from the Karas Pen Co. and it seems fitting that the packaging reflect this. The aluminum tube harkens to the roots of the company’s original products and creates a lovely protective keepsake for the Decograph that is reminiscent of the tins that Fossil watches come in and shaped a lot like Retro 51s come in which were based on the tubes from lots of vintage pens.

That said, the packaging idea came to the Karas team after the pen was designed. It is an add-on to make the Decograph that much better and was not added to increase the cost of the pen as might have been suggested on chat forums.

I’ve used the Decograph on and off since August and enjoyed it a lot. It’s aesthetically very appealing. For me, the weight and balance is spot-on and I love the gold EF nib. I think its priced competitively with other turned, custom pens of this caliber. The details and finishing are excellent. I don’t think you’ll be disappointed with the Decograph.

Laura:

As I’ve said before, I love a good, weighty fountain pen, so it’s no surprise that I really love my Karas Kustoms Fountain K.  I was interested, however, to learn that Karas was coming out with a pen that looked quite a bit like their other metal pens, but was instead a machined thermoplastic body, called the Decograph.  Then I saw a photo posted of the limited edition, colored ones and I was hooked. Karas held a lottery among Karas Pen Club members to purchase one of the limited editions and I was lucky enough to get the exact one I wanted – turquoise with black swirls.

When the pen arrived I was pleased how solid it felt in my hands, despite weighing far less than the Fountain K.   The pen body is smooth with clean lines. The cap screws on and off, and is postable and the Bock #6 nib (I ordered fine) is a pleasure to write with.  I immediately filled it with Pilot Iroshizuku Yama Budo and I was off to the races!  I really enjoy this one and pull it out at least once almost every day. If you’re looking for a lighter weight pen with clean lines and excellent quality, I’d pick up one of these.

 


Laura is a tech editor, podcaster, knitter, spinner and recent pen addict. You can learn more about her knitting and tea adventures on her website, The Corner of Knit & Tea and can find her on Instagram as Fluffykira.

DISCLAIMER: Some of these items were provided free of charge by Karas Pen Co. for the purpose of review. Please see the About page for more details.

Ink Review: Kyo-No-Oto No. 2 Imayouiro

Ink Review: Kyo-No-Oto No. 2 Imayouiro

Over the past few months, I’ve fallen in love with pink inks. Despite what you might assume based on my hair color, pink has never been my favorite color so this is a bit of a revelation for me. First, it was Callifolio Andrinople last year and now this year its the pinks in the Kyo-no-oto and Kyo-Iro ink lines that are luring me.  Kyo-No-Oro No. 2 Imayouiro ($28 for a 40ml bottle) is probably the most vivid color in the entire line of Kyoto TAG ink line.

Imayouiro is probably the most vivid magenta pink ink I have in my whole collection. And yet, its still not particularly garish. Which is pleasing. Its legible and very cherry poppy!

I can never get over how incredibly sophisticated and elegant the Kyo-No-Oto bottles are. They are like my absolute favorite. I know most people like the showiness of the Akkermann bottles but these get me every time.

When comparing the color value of Imayourio to other pinks, particularly other Japanese inks, the other brands lean a lot more orangey. Andrinople is slightly more rosy.

I’m always amazed to find that, for every ink I buy, the colors are so vastly different in color and look. Imayouiro is in a class by itself. If you are looking for a poppy bright pink hidden in a sophisticated bottle, look no further. It’s like a bright, springy perfume in a understated atomizer.

Tools:

 

 

 

Link Love: Unfinished

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Other Interesting Things:

Fountain Pen Review: 3952 Abalone Shell Fountain Pen

Fountain Pen Review: 3952 Abalone Shell Fountain Pen

Review by Laura Cameron

When I first saw a picture of the 3952 Abalone Shell Fountain Pen ($148) with fine nib I was struck by how pretty it was.  As I mentioned when I reviewed the Diplomat Excellence A, I am a big fan of pens that are elegant in their attention to detail.  The choice of the Abalone shell body with the metal trim elements in rose gold finish made this a winner for me.

3952 Abalone

The 3952 Abalone pen is crafted from real abalone shells.  Though the abalone portion appears faceted, the pen is actually a smooth round body.  The grip is a beautiful rose gold, and the nib is a Bock stainless steel nib; I chose an extra fine nib, though I see that double-broad is still in stock as well.  The cap is a metal cap with guilloche patterning on it.  It has a clip, that is attached with screws.  The cap posts and has threads at the end of the barrel for posting.  I will say that I still can’t quite decide whether the cap or the body is my favorite part of the pen.

3952 nib shot

The 3952 is decently weighty. The body, full of ink but capless, weighs 23gms. Adding the cap brings it up to a hefty 39gms, and I have to say that the pen was too top-heavy for me when the cap was posted.  The pen is 5″ even from the end of the barrel to nib tip and a full 5 5/8″ long capped.

Finally, the pen takes either standard international cartridges or a converter, which is included in the box with purchase.

When I received the pen I grabbed my Crossfield journal, and loaded it up with some Pilot Iroshizuku ink in Ajisai. I have to say I was really impressed with this pen. It inked up easily, and wrote smoothly from the get go. I love the weight of the pen in my hands. So far my only minor complaint is that the grip section between the nib and the threads for the cap is sort of small (about 1/2″) and I think I would prefer it to be just a smidge longer for how I hold my pen. Otherwise, the pen writes beautifully and I really enjoy using it. I appreciate the thought and craftsmanship that went into this pen, and I feel it’s a beautiful pen at a fair price.

3952 Abalone

3952 Abalone


DISCLAIMER: This item was sent to me free of charge by Pen Chalet for the purpose of review. Please see the About page for more details.

Laura is a tech editor, podcaster, knitter, spinner and recent pen addict. You can learn more about her knitting and tea adventures on her website, The Corner of Knit & Tea and can find her on Instagram as Fluffykira.

Photo of the Day: Franklin-Christoph Pocket 20 Thomas Hall Tibaldi Edition

Photo of the Day: Franklin-Christoph Pocket 20 Thomas Hall Tibaldi Edition

I don’t often post photos of my pen stash but I’m making an exception today because this is a very special edition to my collection. I was lucky enough to be invited to participate in a small edition of Franklin-Christoph Pocket 20s utilizing rare Tibaldi Impero Celluloid that Thomas Hall had acquired and wanted to have made into pens and shared amongst his friends. Any profits earned from the manufacturing would be donated to a charity of Thomas’s choosing.

What was decided was that the pens would be created in a transparent ice Pocket 20 or Marietta 20 style (with or without clip) and the end cap would be made from the Tibaldi material in order to maximize the number of pens that could be made from the material. A total of about 85 pens would be made.

As you can see from the close-ups, my pen cap is threaded with blue and is a walnut stone color. I think it looks stunning. I had it paired with Jim Rouse’s fabulous fine S.I.G. steel nib which he smoothed perfectly for my silly southpaw writing.

I eyedropper filled it with my go-to subtle ink, Sailor Jentle Chu Shu. It’s the picture of dignity and I’m so glad to have a part of history.