Fashionable Friday: The Pen Show Edition

FF-penshow

In preparation for the Atlanta Pen Show, I thought it might be fun to put together some great (maybe a little “dreamy”) things to have on hand with you should you venture out to the Atlanta Pen Show, or any pen show.

In your kit, you’ll want to have a notebook with paper you love to test inks and pens. This will give you a personal record to take home with you of what you tested as well as tangible memories. Last year, I filled an entire Midori Traveler’s Notebook insert with pen tests I borrowed and tried from people I met at the show. Its one of my most treasured memories from the show as well as a great resource of pen nib grinds and ink colors. I recommend picking a brand of notebook with good quality paper, no larger than an A5 with a stiff cover so that you can write in a confined space quickly and easily. If you’ll be spending more than a day at a pen show, you’ll be surprised how quickly the page will fill up.

I’ll be packing my planner which has all the schedules of events, a list of contacts and all my reservations, flights and assorted information as well. I can store any business cards or additional paperwork in my planner too to keep it all organized.

You might want to pack a small bottle of your favorite ink. Should you decide to buy a new pen, you may want to fill it up with an ink you know, love and trust.

Alternately, you may want to pack a favorite pen with you should you find that rare, unique ink you’ve been lusting after. Pack the pen clean and empty so its ready to be filled. I recommend your favorite demonstrator to show that new ink to its best. And a trusty, favorite pen to take notes like a Lamy 2000 Multi-system ballpoint.

Of course, you’ll need a carrying case for your pens, both those you want to bring and share and those you may purchase. Depending on how streamlined you’d like your kit to be you might choose a small NockCo case (starting at $12 from NockCo) or large leather zip that can hold 12-pens (starting at $40 from Anderson Pens)

Don’t forget your pack your business cards or calling cards. You’ll be meeting people and will want to be able to swap contact info. Make sure you have a spiffy case for them too.

And finally, you’ll need a bag to carry it all. I recommend a crossbody bag over a backpack as it is easier to access contents and less likely to wipe out a table or other people because you were unaware of the added volume of your turtle shell. I look for lightweight fabrics over leather or canvas for events like this since you’ll be schlepping your bag all day. I’ll be carrying my Kipling Cadie ($109 from Kipling USA) which has both shoulder straps and a crossbody strap so I can switch configurations as needed for comfort.

  • Fabriano Venezia Art Books 6″ x 9″ $14.37 (via Cheap Joe’s)
  • Diamine 150th Anniversary Ink in Carnival (40ml Bottle) $15 (via Anderson Pens)
  • Mophie Powerstation Reserve in (red) $34.95 (via Mophie)
  • Platinum 3776 Demonstrator Fountain Pen $162 (via Pen Chalet)
  • Visconti Traveling Inkpot $70 (via Anderson Pens)
  • Penco Large Silver Clampy Clip $3.50 (via Fresh Stock Japan)
  • Acme Business Card Case in Charles & Ray Eames Dots $39 (via Goldspot Pens)
  • Nomadic PF-03 Carbonium Pen Case C in Black $20.50 (via JetPens)
  • Filofax Finsbury Personal Organizer in red $70.65 (via Pen Boutique)
  • Lamy 2000 multisystem ballpoint pen €69 (via Fontoplumo)
  • Cadie Satchel $109 (via Kipling USA)
  • Altoids Approx. $1.99 per tin at your local convenience store
  • iPhone or other communication/picture-taking device, prices vary depending on carrier and contract
  • Kurochiku Japanese Pattern Small Eco-Bag in Hanagatami Tsubaki (Flower Basket Camellia) Print $9.50 (via JetPens)
  • Pilot Iroshizuku Take-sumi Ink (Bamboo Charcoal) (15 ml Bottle) $14 (via JetPens)

What you don’t need to pack:

  • a fishing vest (unless you plan on going fishing)
  • every pen you own
  • all your inks

Happy Pen Show! Hope to see you all there!

Books for the Desk Set: The Cocktail Edition

After being teased a bit on the April Fool’s Day edition of The Erasable Podcast with the ladies of graphite and Brad, I decided I might as well bring my cocktail love and lore out into the open. Because what pairs better with a beautiful fountain pen and journal or a rustic Blackwing and pocket notebook than a well-prepared drink? Absolutely nothing, I say.

Under The Table A Dorothy Parker Cocktail GuideUnder the Table: A Dorothy Parker Cocktail Guide
by Kevin C. Fitzpatrick ($9.99 for Kindle, $14.05 for hardback)

When this book popped up in my Amazon recommendations, I knew I needed to add it to my must-reads. First, I love a good cocktail book. And second, I have a soft spot in my heart for Dorothy Parker so it was clearly a match made in heaven. The book combines tidbits about Dorothy Parker, the Algonquin Roundtable, and jazz age slang. Throw in a few simple cocktail recipes I can try out and of course I’ll give it a spin. I picked up a secondhand copy through an Amazon reseller and its now nestled on my cocktail book shelf with Kingsley Amis’s Everyday Drinking, another classic cocktail-and-literary tome that’s in regular circulation on my bookshelf.

Bitters: A Spirited History of a Classic Cure-AllBitters: A Spirited History of a Classic Cure-All, with Cocktails, Recipes, and Formulas
by Brad Thomas Parsons ($14.99 for Kindle, $16.65 for hardcover — highly recommend the hardcover book)

Bitters is a beautiful coffee table book full of gorgeous photography  printed on uncoated stock giving it a subtle, old-time feel. The book includes information about what bitters are, modern makers of bitters (from legends like Angostura and Peychaud’s to the new smaller bottlers like Fee Brother’s, Scrappy’s, Bitter Cube) and more. There are also lots of cocktail recipes that utilize bitters, and recipes to make your own bitters. This is my husband’s favorite cocktail book and he refers to it at least once a week. If you’re curious about bitters and what they can add to your cocktail bar, I highly recommend it.

Mr. Boston Official Bartender's GuideMr. Boston Official Bartender’s Guide
($14.95 for hardcover)

If you have no other cocktail book ever, you should have a copy of Mr. Boston Official Bartender’s Guide. The book is organized by key alcohol component: gin, vodka, whiskey, etc. and then its mixers. It has everything from an elegant martini to a trashy Sex on the Beach. Next to each recipe is an icon of the recommended serving glass: coupe, highball, shot, etc. which is very handy as well.

If you are invited to a wedding and don’t know what gift to get the newlyweds, you can’t go wrong buying a copy of this book. Everyone will need one at some point. If only to settle an argument about what is actually in an Old-Fashioned.

The Ulitmate A-to-Z Bar GuideThe Ultimate A-to-Z Bar Guide
by Sharon Tyler Herbst ($11.99 for Kindle, available used or secondhand through Amazon resellers for $1 or less in paperback)

The Ultimate A-to-Z Bar Guide was one of the first cocktail books I ever purchased and I honestly go back to it time and time again because its such a great reference tool. Its organized alphabetically so if you know you want a recipe for a Sazerac or you are trying to remember exactly what Sloe Gin is, it’s all just organized alphabetically. Its full of cross-references and an indices in the back for drinks by specific liqueur. So, if you still have a bottle of apple brandy and you want to find some recipes that you can try with it, the Ultimate A-to-Z Bar Guide has a list in the back you can use to find some drinks that use that specific liqueur. Convenient. Next to each drink is an icon for the glass recommended for serving to make it easy to see if its a cocktail, highball, shooter or glass. Our copy is full of sticky notes, dog-eared pages and even a little water damaged. That’s the sign of a well-loved cocktail book.

Let's Bring Back: The Cocktail EditionLet’s Bring Back: The Cocktail Edition: A Compendium of Impish, Romantic, Amusing, and Occasionally Appalling Potations from Bygone Eras
by Lesley M. M. Blume ($9.99 for Kindle, $14.47 for hardback)

I’ve been a fan of the whole Let’s Bring Back series that Blume has done so when the Cocktail book was introduced, I had to purchase it as well. The book is full of quaint, vintage artwork and fancy, embellished typography. It features cocktails with names like the Fair Thee Well and the Rhett Butler as well as literary quotes and historical context for where certain cocktails may have originated. The hardback book is lovely and matches the rest of my Let’s Bring Back set so I’m glad to have it included. I enjoy flipping through it and reading various tidbits but its not a book I’ve used as often for making cocktails. I should remedy that soon.

Time to go stock the bar, get out those swizzle sticks and martini shaker, and your favorite writing tools, there’s cocktails to make and recipes to annotate.

Giveaway Winner: Winsor & Newton Watercolor Markers

Winsor & newton Watercolor Markers

Big thanks to JetPens for providing  a set of 6 colors of the Winsor & Newton Watercolor Markers in a metal storage box for my giveaway this week.

Despite some technical difficulties on Saturday there were still a healthy number of entries and an exciting interest in seeing more about watercolor and art supplies here on The Well-Appointed Desk. Here’s the winning number:

Screen Shot 2016-04-06 at 6.47.48 AM

Screen Shot 2016-04-06 at 6.48.17 AMCongrats to Patrick! I hope these markers will help you try some new techniques and a chance to experiment with some beautiful, rich colors. I’ll be contacting you directly via email to make shipping arrangements. Thanks to everyone who entered and I hope you hop over to JetPens and add a few W&N watercolor markers to your next order. I particularly like the Payne’s Grey and Sap Green, of course!

Link Love: A Little Bit of Everything

rp_link-anaPens:

Ink:

Pencils:

Paper & Notebooks:

Planners & Organizers:

Other Interesting Things:

Review: Seawhite of Brighton A5 Starter Sketchbook

Seawhite of Brighton A5 Sketchbook

On the neverending hunt for the “perfect paper” for a notebook or sketchbook, I will try just about anything I stumble across on the internet. One such find is the Seawhite of Brighton A5 Starter Sketchbook set which I found on Amazon. The small set of three A5 booklets with simple black covers and 40 pages of 140gsm (approx. 80lb) “cartridge paper” were too good an option to pass up. First, they fit perfectly into my Chic Sparrow Creme Deluxe A5 Black Beauty Traveler’s Notebook cover. “A sketchbook in my planner/notebook kit? Yes, please!” And second, the paper was listed to be heavy enough weight to withstand ink and light washes which is my sweet spot for day-to-day sketchbook needs. So I invested the whopping $10.95 for the set and waited impatiently for the books to arrive.

Seawhite of Brighton A5 Sketchbook

From the exterior, the booklets feel like Moleskine Cahier or other small cardstock cover cahier. The black cardstock cover is not super heavyweight but is enough to provide protection and add some stability to the paper inside. The paper itself is a crisp bright white and the weight seemed like a good option for pen and ink with enough tooth for pencil and other materials.

I did a little research to determine what exactly “cartridge paper” is, a term not familiar to most folks in the US. Cartridge paper is a heavyweight paper originally used for making gun cartridges and later used by artists and printmakers and they kept the term. Its often compared to Bristol board though maybe not quite as thick. So, in the future, if you hear the term “cartridge paper” you have an idea that the paper is meant to be a bit more upscale than standard copier paper even though it doesn’t sound like it.

Seawhite of Brighton A5 Sketchbook writing sample

Because of the small size of the sketchbook, I was actually able to basically use a whole book before writing up a review rather than just a few small pen tests so I feel like I got a particularly good feel for the paper. In standard writing tests, I didn’t discover any problems. Gel pens, felt tips and fountain pens all seemed well-behaved with minimal bleeding or showthrough. If you like to use a wide nib pen and don’t mind blank pages (you can always use a guide sheet to keep those lines straight!), the Seawhite of Brighton paper might be a nice addition to your stationery cupboard.

Seawhite of Brighton A5 Sketchbook paper

Viewed from the reverse of the writing sample, the only show through was the Pilot Envelope pen and a bit of the panda drawing but it was not enough to keep me from drawing on the back side of the page later.

Seawhite of Brighton A5 Sketchbook

What I really wanted to test was when I introduced more art making tools like watercolor, ink, and colored pencil, which are my favorite portable media. What I came to discover is that “light wash” was the key with watercolor or the paper did start to buckle a little bit but it did not pill. So, by the time I had filled the booklet, the paper was a little waffly but there was not any bleeding of color through to the reverse from the watercolors or anything like that. Just potential puddle spots because the paper waffled a little bit.

Seawhite of Brighton A5 Sketchbook

Seawhite of Brighton A5 Sketchbook

I used the book to do a lot of color tests with some new watercolor sets that I’ll do lengthier reviews about in the future but it was nice to have a small book to keep all the swatches together and be able to flip back and forth and see color depth and granulation differences quickly and easily.

I still prefer a little bit heavier weight paper in general for my mixed media sketching but its the trade-off point between cost, portability and need. Some days, I’m just scratching out ideas, doodles and color chips and I don’t necessarily need 200gsm watercolor paper for that. The Seawhite of Brighton 140gsm paper is definitely a step up from the standard paper found in most black art sketchbooks in US art supply store that is usually closer to 65-70lb (96gms+) and much less conducive to any sort of wet media like ink or watercolor or even juicy markers.

Seawhite of Brighton offers their paper is other sketchbook configurations at fairly reasonable prices via Amazon. Or if you are in the UK, you may want to check out their direct website and find a local stockist.

 

Fountain Pens for Sketching

Fountain Pens for Sketching

As I’ve been spending more time using my pens, inks and notebooks for drawing, I thought I’d put together a post about the best fountain pens (and inks) for sketching.

I did a good deal of research for this piece. My favorite is Liz Steel’s 7-Part Fountain Pen Sketching article. Her Part Two: Why Draw With a Fountain Pen was my favorite! I am also tossing in my own personal experiences to create these recommendations. So if you are hoping to do more drawing and sketching and wanting to either purchase or set aside a pen in your collection specifically for drawing, these are my recommendations. You don’t need all of these, one or two will more than suit. You may want to have one filled with a waterproof ink and one with a water soluble ink or one with black ink and one with brown or blue ink or your favorite color for sketching.

Pens
Platinum Carbon Desk Pen (or Sailor Desk Pen)
The Platinum Carbon Desk Pen ($9.60) is available with a super fine Japanese nib and ships with one cartridge of Platinum Carbon Black ink which is waterproof. I used my PCDP almost daily and it took almost six months to run through the first cartridge. I even used it to fill in areas, write notes, doodle and sketch since the lines are so fine, the cartridges last a long time.

Because of the fineness of the nib, I can use this on just about any paper stock from lightweight sketching paper to heavier weight watercolor paper without a lot of feathering or bleeding issues. I occasionally run into issues on toothy paper of picking up fibers in the tines because the point is so fine. This causes some momentary clogging but a wipe with a tissue will usually remove the fibers. At which point I know to switch to a felt tip pen or a wider nib pen because of the paper stock.

The PCDP was designed to accommodate the waterproof ink and its a budget-priced pen so if it did get clogged beyond repair, it would not be the end of the world. So far, mine’s been a little trooper and it really is the one pen that is almost always in my bag.

The longer length of the pen is a little challenging for portability but I’ve seen that some people have trimmed down the length a bit and filled in the end with epoxy or putty. The cap was not designed to be a long term solution so its an aesthetic mismatch but the functionality of this pen outweighs its looks.

If you prefer to use bottled ink with the PCDP, be sure to purchase a Platinum Converter ($6) or a Platinum Cartridge Adapter ($2) since Platinum uses a proprietary cartridge system.

I also have a Sailor Desk Pen which is similar in design with a weird, peachy cap that doesn’t match as well but was also designed to be used with Sailor’s Nano permanent inks. The Sailor Desk Pen is harder to find these days but if you already have one and were wondering what to use it for, it would make a great sketching pen. Sailor Nano cartridges are available packs of 12 ($10) in UltraBlack and Blue-Black which could potentially last you six years if you draw as often as I do, maybe only three years if you’re more prolific. Or you could buy a whole 50 ml bottle of the Nano Ink for $33 just be sure to grab a converter too ($8.25) because Sailor also uses a proprietary cartridge and converter system.

Rotring ArtPen
The Rotring ArtPen ($21+) was one of the first modern fountain pens I ever bought. I found it in an art supply store and used it for years before I knew that there were other options available. I just kept going back and buying the Rotring black cartridges and using the pen to draw and write with until it ran dry. I still have it and I still fill it regularly since it takes standard European cartridges and converters. I’ve filled it with both water soluble and permanent inks, I’ve let it sit for months so inks dried in it and then soaked it for days to try to resuscitate it. It has continued to survive for decades now. It has proven much heartier and durable than all the Rapidographs and Isographs I’ve had put together.

It has the same long tapered shape as the PCDP so it has that arty “paint brush” feeling. Mine has the EF nib making it great for sketching and probably is responsible for starting me on my love affair with fine nib pens but its available with a variety of nib sizes including calligraphy nibs.

The cap has a firm click to close it and was actually designed to be capped unlike the PCDP and the Sailor Desk Pen so while its a bit more expensive, its a fully thought-out pen. The Rotring is probably the most universally usable option since it take standard European cartridges and/or converters and the nib sizes are based on the European measurements with the widest range of nib sizes available of all the options I’ve listed.

Lamy Joy
The last option on my list of traditional fountain pens is the Lamy Joy ($28) available in white and black. It too has the long tapered shape of a paint brush but can only be purchased with a calligraphy nib (1.1mm, 1.5mm or 1.9mm) initially so it you like the look and feel of a classic Lamy Safari but would like to have a long, tapered shape for sketching, you’ll have to purchase a separate nib (approx $11) making the Lamy Joy the most expensive option.

Lamy also requires either proprietary ink cartridges (none of Lamy’s inks are waterproof) or a Lamy LZ24 converter ($4.70) in order to use bottled inks. If you’re like me, you have a stash of Lamy Safari fountain pens and can probably liberate a converter but if you’re planning to use waterproof inks in your Joy, you may want to be sure not to mix the converter you use with the Joy with the one you use with your Lamy 2000 with the 14K gold nib… just in case.

I recently purchased a Joy and replaced the calligraphy nib with an EF steel nib and filled it with Platinum Sepia Pigment ink. I purchased the still-available, limited edition white model from last year but its also available in black with a red clip or a slightly higher priced black with aluminum cap.

I had not been a great lover of the Safari in the past. Its a good solid pen but not one that made my heart palpitate. The Joy, however, touches me on another level. I think the longer length gives it better balance and weight in the hand making it feel a bit more substantial and using it more like a drawing tool than a writing pen made me less bothered by the grooved grip. I find the Joy more comfortable to draw with than I’ve ever found the Safari to write with. I may go back to the Safaris and consider them as drawing pens at this point.

Inks
Platinum Inks
Platinum Carbon Ink has become my go-to ink for permanent black ink I’ve been using my PCDP almost every day for six months and found the Carbon ink to be a well-behaved, dark black. I had little issues with it drying in the pen, even with the fine nib and it being tossed around in my bag, used on all sorts of paper stocks from copier paper to toothy cold press watercolor paper. I had more issues with the pen getting jammed with paper fibers on toothy papers over waxy pencil or other materials than I did with the ink drying in the pen. I’ve gone ahead and purchased a bottle of Platinum Pigmented Sepia ink which is also permanent and I think will make a lovely alternative to black for drawing. As mentioned earlier, Sailor’s Nano Inks are an excellent alternative as well if you are looking for cartridges to match a Sailor pen or find a good deal on the Nano black bottled ink.

DeAtramentis Document Inks
Liz Steel is very fond of DeAtramentis Document Inks for the range of colors available and she has had great success with flow in some of the less expensive pens using the DeAtramentis Document inks so they are definitely worth a look. Jane Blundell has some amazing mixing charts using DeAtramentis Documents Inks that make me want ALL THE COLORS. I’m hoping to try some of them out and pick up a few bottles when I’m in Atlanta.

Several other brands make permanent inks worth experimenting with if you have some around. Diamine has their Registrars ink and Noodlers has several Bulletproof inks. Though I’ve read through some blogs that have found the Noodler’s inks to be troublesome in some instances for drawing. But if you’ve got some, why not give them a whirl?

Any water soluble fountain pen inks
For everyday sketching, any standard (water soluble) fountain pen ink will work on just about any drawing paper. Most sketchbook paper starts at about 60lb and should handle a F or XF fountain pen nib loaded with just about any fountain pen ink just fine. On slightly heavier mixed media papers like Strathmore 500 Series Mixed Media, Moleskine Watercolor Sketchbook or similar paper that is labelled for ink, light washes or mixed media, you can add a little water to your drawing and move some of the water soluble ink around to create some wonderful watercolor-like effects without a lot of tools. Citizen Sketcher has some amazing examples of this in action and totally makes me want to try this myself.

Other resources:

Ask The Desk: Supply Organization

This Ask The Desk question is actually a follow-up from the Pen Addict Podcast Episode 197 and a question that started with June Thomas and was then there was a follow-up question in the Pen Addict Slack channel by clairelin. Both wanted to know how I kept my copious collection of supplies organized so I thought I’d pull back the curtain and reveal how I squirrel away all the supplies.

I live in a teeny tiny house so clutter is a big issue and space is at a premium, not to mention that both my husband and I are are collectors and pack rats, so we are a great risk of being buried under our hobbies. I try pretty hard to keep all the supplies organized and tidy so that I can find what I’m looking for and so that it doesn’t start piling up everywhere.

art supply storage

First, if it wasn’t for Ikea, The Container Store and other such places, I’d be buried under my own clutter. All hail Ikea! The first item that has kept me tidy is the Raskog utility cart. I filled the top tier with an assortment of glass jars that each hold a type of pencil, pen, brush or marker.  Some of the jars are Mason or Bell jars and some are jsut old salsa jars. I scavenge any straight-sided jar that passes through my kitchen now as a potential holder of pens.

The lower tiers store bottles of paints, spray bottles, gesso, towels, heat gun, etc. All handy and the cart rolls easily around my workspace so I can have access to the items when I need them and move them out of the way when I don’t.

ink and field notes storage

Along the top of my bookshelf, I keep surplus ink and Field Notes (and books of similar size). Grey boxes are ink, white boxes are Field Notes. The white boxes are photo storage boxes from a big box craft store and the grey boxes are from Ikea. The inks are bottles I’ve tested but are not favorites so I don’t need regular access to them.

storage wall

Along one wall of my workspace is the storage mecca. From the left, a vintage metal cabinet that I purchase at an antique shop (I keep meaning to repaint it but I want to take it to a powder coater and get it done right so it hasn’t happened yet) holds the notebook stash, camera equipment, excess pencil inventory and miscellaneous art supplies. The center wooden cabinet holds vintage fountain pens in the top shelf, stationery in the large left cabinet (yes, I have that much letter-writing material) and the right side is shop inventory. The steel drawers on the right are older versions of the Ikea Helmer units which are made much better now. I added magnet labels or Dymo labels on the front of the drawers so I would remember what was in each. Its an array of mechanical pencils, fountain pens, ink, electronic cables, tape, scissors and other daily office necessities. The smaller unit on top is a Bisley drawer unit from Container Store that stores an assortment of printer paper, label stock, photo paper, etc.

tackle boxes for storage

One of my favorite ways to stash collections of items is with old tackle boxes. This pile usually sits under my desk, each one with a specific task: one filled with acrylic paints, one filled with extra art supplies, one actually filled with tools, etc. One is empty and is used for events and craft shows to tote out a portable kit of supplies.

ikea storage

Behind my desk is the Ikea Alex Unit. Its a decent small sized flat file. The top two drawers hold rubber stamps and washi tape (yes, one whole drawer for each) followed by drawers with rolls of paper for shooting products, flat papers and some larger drawing pads and palettes. On top of the Alex is an old library card catalog I store more rubber stamps and stamp pads inside, my giant whale tape dispensers, my ticket spike (all those shipped packages!) and behind that, the daily use pen and pencil collections.

jars for pencil and pen storage

Ta da! Here are the pens and pencils that get used in all my reviews and paper tests, each divided by type into another jar or can: highlighters, gel pens, felt tips, pencils, rollerballs,and miscellaneous. The nice thing with the jars is that I can grab a whole jar and move them to my desk as I need them and then put the jar back when I’m done. Or just pick one or two. It keeps my working surface relatively clutter-free unless I grab all the jars at once. Then its chaos and I have to spend an hour putting everything away.

So there you have it. A tour of my storage solutions. Its not easy keeping it all contained and often times my desk is a big pile of mess when I’m in the throes of reviews but I feel like I’ve developed a good system where everything has a place.

I also make a point to cull through the stash regularly to keep it from growing out of control. I try to give things away to friends or charities before I get too overwhelmed.

Do you have any tips for storage and keeping the stationery clutter in check?