Lucky Office Indeed

Lucky Chen's desk

Not to usurp the awesomeness of Lucky Magazine’s editor-in-chief Eva Chen’s new office but the once hallowed home decor magazine Domino is back as an online magazine and shopping portal. Just so you know.

Chen desk details

View from Chen's desk

Now, back to Ms. Chen’s office. Its a lovely light, bright, colorful space complete with sofas to lounge upon and flowers galore. Its a bit of an ideal ideal but I do love the nice clean, white desk for all the computer equipment. And I really need to keep more flowers and greenery in my workspace. I do think it cheers things up immensely.

I would, however, have put a large wooden table and chairs where the couches and coffee table are. I prefer a good working area to meet or spread out all those pages for review and editing, then couches to veg out on.

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I’d recommend a good work table like this wood table with vintage metal school chairs. (via Alison Milne)
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Or this beautiful blonde wood table with Bend Lucy side chairs (via The Place Home)

(via Domino)

Ink Review: Noodlers Zhivago

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I was lucky enough to receive a sample of Noodler’s Zhivago in the mail a few weeks ago. I have so many ink samples, its hard to pick which ones to review first so I did a random grab and this one was the one to go next.

I am not normally inclined to fill my fountain pens with black ink because there are so many great colors to choose from so I started off a little crumudgeonly about this. “Hmmpf. Black ink. Big whoop.” But then I started writing with it and there are subtle hints of green in the black. Its not a deep black-hole black but a deep, grey-green black. In fine nib pens, Zhivago appears pretty black but in the swab test (and I suspect wider nib pens) the subtle greenishness becomes more evident.

It was a fun ink to use for doodling since it repels water pretty well. It’s not bullet proof but its fairly tolerant of water and dark enough to scan drawings later if needed.

I’ve heard it described by others as a “green black”. If you are looking for black-hole black, I would not recommend this ink but if you’re looking for black with a green heart or something a little different, than I highly recommend this. Its black for the green lover.

Book: A Collection A Day

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Lisa Congdon’s book A Collection A Day has lots of beautifully composed photos and drawings of the many bits of ephemera she collects including vintage office supplies.

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I thought I’d share a few pages from the book that I found particularly inspiring.

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The erasers and pencil leads are probably my favorite spreads. I wish there was a poster available of these. They would make lovely office decor, wouldn’t you agree?

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(Book is available through Uppercase Magazine and comes in a tin, perfect for starting your own collecting. $25)

Nib Tuning, The Amateur Approach

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Remember a few weeks ago I was a little sad about the fabulous Esterbrook #2442 Falcon nib that Cliff sent to me because it was scratchy and didn’t always put ink on the paper? And then remember last week I posted the FPGeeks Nib Tuning video? Well, I decided it was time to marry up those two things and I would attempt to tune that pesky nib.

I own a few folding loupes which are not as high-end as the ones shown in the video but at least I could get a look at the tines and see if there was anything wrong. There was! The tines seemed a little twisted, like crossing your fingers. Using the technique demonstrated in the video, I press the tines to the feed and used my nails to gently bend the tines. Then I tested on paper and noticed an improvement in writing already, but it was still scratchy. So I peeked with the loupe and pushed a bit more with my fingers and tried again. Ink was flowing much more consistently but still scratchy.

I confess that I immediately recognized the buffing block in the video to be a high end nail salon product. So I grabbed the nail buffer I had in the bathroom and decided to use the smoothest side first marked “Shine Nail” to cause the least damage. I did that a couple times and tried on paper again. Still scritchy. I went to side #3 “Buff Nail” and did a few more strokes and then applied it to paper again.

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Voila! It’s now a fully functional nib. Its not quite as smooth as my age old #2442 but its light years better and completely usable. I plan to do more writing with it now that the flow is good and consistent and if it need more smoothing later, I feel confident I can solve my issues.

Review: Blackwing Luxury Notebook

Blackwing Luxury Notebook

On my recent hunt for a new A5 notebook, a  friend recommended the Palomino Blackwing Luxury notebook. It was one of the notebooks on my epic grid so I figured it was worth a shot. I chose the lined version over the blank of grid paper option. The book is 5×8.25″ with a black ribbon bookmark. There is no pocket in the back of the notebook commonly found in notebooks like these.

Blackwing Luxury Notebook

Embossed on the cover is the Blackwing logo. The branding is a little heavy handed. I would have preferred a silhouette of the pencil that inspired the notebook embossed on the cover with its iconic flat eraser rather than the large branding.

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The cover is a leatherette that looks similar to other notebooks at first glance but its much more flexible than other notebooks. Its not flimsy like a kraft cover but not stiff like a classic hardcover either. Its a nice compromise between the two.

The book includes a black satin ribbon bookmark. The end of the ribbon have not been treated so it may fray. I’d recommend dabbing a little clear craft glue (like Elmer’s or Alene’s) on the end or heat sealing it (hold a flame near enough to melt the ends) to keep it from fraying.

Blackwing Luxury Notebook

The lines are comparable to college ruled at about 6mm and the lines are very fine gray color which I don’t suspect would interfere with most ink colors or pencil writing for legibility. The paper is not a yellowy cream like Moleskines but its not  bright white either. In the paper industry, its called soft white or warm white. Its a pleasing shade and very similar to the color of the Piccadilly notebook I’ve been using.

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In writing samples, everything seemed to write smoothly. The only issue was the Pilot Iroshizuku Ku-Jaku in my TWSBI Mini EF. In the Nemosine Singularity 0.6mm, the same ink was fine but the wet ink in the wet pen caused a little feathering and squishiness in the lines. The only show through was the 1.1mm Lamy with blue black ink and it was minor enough I’d be comfortable using both sides of the paper in most instances. Its a vast improvement over a Moleskine in regards to paper quality as you would have guessed.

Overall, its a good notebook. The more flexible covers make it a bit different than other books which might be a make or break feature for some people. The absence of a pocket in the back is a bit of a bummer for me but I have enough paper skills that I think I could make one. The Blackwing Luxury notebook does not have any kind of closure on the book like an elastic which may also be a deciding factor for some people. The paper quality more than makes up for the absence of features I may or may not need but have grown accustomed to having.

(via Jet Pens)

Review: Staedtler Triplus Mobile Office Set

Staedtler Triplus Blackbox Set

I must confess I am a sucker for a good packaged set so when I spied the limited edition Staedtler Triplus Mobile Office Set ($11.50 per set), I clicked “buy it now” before I knew what happened. I also love triangular shaped tools like the Faber-Castell Grip 2001 so again, “buy. it. now.”

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The set came in a black plastic carrying case and the pen (and pencil) clip clasp into the case. The cover clicks into place and can be folded back and clicked to itself to make the tools easy accessible. Inside, there are six tools: a ballpoint pen, a rollerball pen and a Fineliner all in black ink plus a blue Fineliner, a 0.5mm mechanical pencil and a fluorescent highlight in yellow.

Overall, the tools are quite long giving them the weight and balance of an art tool rather than a pocket pen. Capped, the pens are a little over 6.25″ long. Campared that to a Sakura Pigma Micron which is a mere 5.25″ long or a Marvy Le Pen which is 5.625″.

The blue and black Fineliners are 0.3mm felt tip and comparable to the feel of a Sakura Pigma Micron, Staedtler Pigment Liners, Sharpie Pens or Marvy LePens. I like the feeling of the tips. They seem more durable than a Sharpie Pen of a LePen which start to feel dull pretty quickly. I’m curious to try a few of the other colors available now. The only downside of the Fineliners is that they are not waterproof. They are a slightly water resistant though.

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Because all the tools are comparable in diameter to the average pencil, I was curious how the highlighter would work. Its a brush shaped tip to allow underlining with the tip and highlighting by angling the pen sideways. It works okay but not as easy to highlight as the chisel tipped versions of the classic Textsurfer. The color is fabulously highlighter yellow though.

The mechanical pencil was an odd delight. Overall, its a similar metallic asphalt gray as the Fineliners but with fine silver stripes running horizontally down the barrel. The tip area is a metal silver adding a little bit of weight to the “business end”. To keep its profile consistent with the other tools (and to keep the eraser clean) it retracts into the body. When fully twisted out, there is 0.75″ of easer which is considerably more than most mechanical pencils. The eraser is white so I’m going to assume that Staedtler had the forethought to use their legendary Mars Plastic eraser as it seems to erase quite well. The point end can also be retracted by pressing the advance halfway to make it easier to travel. The lead holds firmly so there’s no feedback or wiggle. When clicking to advance the leads, there’s is a little black bellows below the eraser cap that compresses. Its an oddly steampunk detail. The pencil separates at the bellows to add additional leads.

 

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Now, I have to talk about the tool I was less pleased by: the ballpoint and the rollerball.  The ballpoint preformed well. Its a medium point, black ink and had a soft-touch rubber finish which feels good in the hand. The tip and the end are both chrome metal and the cap is clear plastic so its a very nice looking pen. The bummer was that the cap was hard to replace on the ballpoint which is odd. I had my husband try out the ballpoint as he favors ballpoints and rollerballs. He found that he had to bear down on the ballpoint to get it to write which caused his fingers to slide up the barrel.

And last, the rollerball would not play nicely with my wonky left-handedness. It gapped, didn’t put down a consistent line and generally annoyed me. I’ve had such luck with rollerballs lately I forgot how infuriating rollerballs can be for me. In the hands of my right-handed spouse, it worked, but he found it gloppy and imprecise.

Overall, I loved the portability of the set and several of the tools are good quality. The triangular shape is comfortable and aesthetically appealing. I suspect that the case can be refilled with other tools in the Triplus line so it will not be left with an empty slot when I banish the rollerball and ballpoint.

 

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A smaller classic Tripus Mobile Office set with just four tools (ballpoint, pencil, highlighter and finerliner)  and a clear plastic carrying case is just $8.90.

(via Jet Pens)

Review: Iroshizuku Ku-jaku Peacock Ink

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I am finally getting around to reviewing some of the dozens of inks I’ve accumulated. The first up was a random grab from the stash, Pilot Iroshizuku Ku-Jaku ($28 per bottle) which is a  bright peacock blue. I’ve been using it in a variety of pens over the past week. Its a bright, deep turquoise blue.

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Pilot Iroshizuku inks are very lubricated inks. At least that’s what I first noticed about it compared with some of the other inks I’ve used like Diamine or J. Herbin. This makes it an excellent option for fine-nibbed pens like Japanese fountain pens. I also think it would be a good choice for finicky, easily-clogged pens or older pens. I’ve been trying out another Iroshizuku in some of my Esterbrooks and it works excellently.

On some lower-quality papers though, the inks were too too saturated and spread a bit.

The price seems steep but the colors are clean, flow well and super-lubricated. Clearly, its a worthy investment but good inks require good paper.

Tested on Quo Vadis Habana bright white paper with a TWSBI Mini EF and a Nemosine Singularity 0.6mm italic nib.

(via Jet Pens)