Ink Review: J. Herbin Rose Cyclamen

J. Herbin Rose Cyclamen Ink

As the weather warms up and I’m seeing the first peeks flowers and trees budding, I decided it was time to get out some brighter inks. I had this J. Herbin Rose Cyclamen ($9 for a 30ml bottle) from the massive ink haul I won last year from Julie B over at Pens Paper Inks … Whatever. I’m not normally inclined to purchase pink inks, Pelikan Edelstein Turmaline Color of the Year not included, but I was getting the itch to use an ink that wasn’t blue-black. So the J. Herbin Cyclamen found its way into circulation and, boy, am I glad it did.

I painted the title with a paintbrush and then wrote the writing sample using the Pilot Plumix calligraphy nib currently residing on my “spare” lime green Pilot Prera. Following the nib hack a couple weeks ago, a reader (Denis) mentioned that this hack also worked with Preras. Since I had a Prera with a too-fine-for-me F nib, this seemed like a great way to make it useful again. Besides, the pink ink in the lime green pen made me think of Lilly Pulitzer summer resort dresses.

J. Herbin Rose Cyclamen Ink writing sample

It’s a very purple-y pink, more raspberry than a fuchsia or hot pink. It really is the color of a Cyclamen flower.

(via Wikipedia)

The ink has a little shading but not much and its not as noticeable once the ink is dry either. But overall, J. Herbin ink is very reasonably priced and offers vivid colors that brighten my day.

J. Herbin Rose Cyclamen Ink Pink comparison

For comparison, here are some swatches of other pinks I had on hand. From left to right, Diamine Deep Magenta, J. Herbin Rose Cyclamen, J. Herbin Rose Tendresse, DeAtramentis Dianthus, Platinum Cyclamen Pink (actually neon which was hard to capture in a photograph), Diamine Hope Pink (also neon bright) and Pelikan Edelstein Turmaline (no longer available).

To be honest, I found very little difference between the J. Herbin Rose Cyclamen and Rose Tendresse. I find the Cyclamen a tiny bit deeper and a little more complex and the Tendresse a tiny bit brighter. I think the Tendresse looks like it would shade a bit more. The De Atramentis Dianthus is very similar in hue, maybe a tiny bit brighter and it is a scented ink. I could only smell it slightly when it was wet and was lightly floral. When dry, there is no scent. The only other color close (in my collection) was the Diamine Deep Magenta which was more of a deep, dirty pink not as raspberry purple as the other three mentioned. The Platinum Cyclamen, Diamine Hope Pink are much pinker and neon when wet. They both dry to a vibrant pinky-red. The Pelikan Edelstein Turmaline is the most subdued as a deep, complex red/pink/brown.

Do you ever use pink ink? What’s your favorite?

Ink Drop: March 2014 Lasting Impressions

Ink Drop March 2014

This month’s Ink Drop featured five inks known for their stay-put properties and titled the collection Lasting Impressions. These inks are all designed to be permanent or very water-proof. The colors featured were Rohrer & Klingner Salix and Scabiosa, Platinum Carbon Black (that dark sheen spot is dry ink though if I rub it with my finger, it smudges like charcoal), Noodler’s Bad Green Gator and Upper Ganges Blue.

I was delighted that, when presenting permanent inks, Goulet Pens didn’t send just black and blue inks. I had wanted to see Scabiosa in person for a long time because I do like a deeper, more complex color and it really is unique. Its a deep plum, almost purple black.

In my swash test, I really liked the woodsy green of Bad Green Gator but I’ll have a full review of the color later this week. Noodler’s Upper Gange blue is a deep blue on the edge of a blue-black while the R&K Salix is more of a denim-y blue.

As mentioned, the Platinum Carbon Black left a shiny deposit in my swash test when dry and when I ran my finger over it, it smudged like charcoal pencil. The swash had been sitting for almost 24 hours when I smudged it. Keeping in mind, this was not a writing sample but it is definitely a black ink that is going to stick around.

Overall, these colors seem more sedated and subdued than their less-permanent, more-vibrant brethren. Not that subdued is a bad thing at all. I find their muted colors to be pleasing.

Both of the R&K colors are iron gall inks and I know a lot of people are concerned with potential damage to their pens as a result of these inks. I don’t know much about caring for pens with iron gall inks or other permanent inks but I think if you change your inks at least monthly, it shouldn’t be much of an issue. If concerned that any of these permanent inks might stain or clog your favorite pen, I recommend trying it first in a cheaper pen (maybe a Plaltinum Preppy or a Pilot Metropolitan) before trying it in your top-dollar or vintage pen.

 

Field Notes: Shelterwood

Field Notes Shelterwood

The newest edition of the Field Notes color series is called Shelterwood and its awesome feature is the REAL WOOD covers. Slivers of wood are bonded to kraft paper covers to create unique, beautiful wood veneer-covered Field Notes. Inside the books are the same 70 lb Finch Soft White paper that was in the America The Beautiful editions with green lines. This special edition is going to sell out fast so you better order yours today. $9.95 for  a 3-pack, or better yet, subscribe for a year and be guaranteed to get the next edition as soon as its available.

I’ll give you more details when my set arrives but, by then, it might be too late. Take a chance on these and order quickly!

Kickstarter: Tiletto

Tiletto

By now, I’m sure you’ve probably already heard about the Tiletto. Tiletto is a Kickstarter project that’s a multi-function letter opener made from titanium, of course. It can also be used as a bottle opener (my favorite additional feature), hex wrench, straight edge, pry bar, box opener, and the list goes on. Its durable, functional and pretty elegant looking. You can get in on the ground floor for $30. The project has just eleven days left.

Ask The Desk: Scratchy Pens & Jotter Refills

Ask The Desk Header

Millicent asked two questions and I’ve been mulling over them for a few days:

About fine points of any type, be they fountain, roller, ball pen or even pencil.  While they would not be my first choice, sometimes a medium or broad just won’t work. I have found workarounds for pencils to avoid the 0.3 and 0.5 nightmares. I see all the reviews for fountain pens extolling the virtues of specific nibs.  All I get is scratchy frustration, with no apparent sweet spot. Alternate ink and paper don’t seem to help. There are pens sitting unused in my arsenal that deserve court time. Plus there are always ones waiting to be acquired.  Suggestions and recommendations ???

Fine nib pens are not, as a whole, scratchy. I do find that the teeny tipped gel pens, like the 0.25 Pilot Hi Tec Cs, to be a little scritchy, but overall there may be some other issues to consider.

heavy or light hand writing

The only thing I can think is that you might have a “heavy hand.” This is in no way an insult or anything, it just means that you press your pen more firmly on the paper or that you grip you writing tools tighter than others. With fountain pens, if all pens seem scratchy, I would recommend making sure to use a lighter hand — the least amount of pressure to release ink on the paper. You might want to practice just by making loops on paper with the lightest, loosest grip. Once you find the sweet spot, try actually writing.

I think the same process would work with gel or rollerball pens too.

The only other possibility would be the angle that you are writing. If you have a Lamy Safari or other pen that has a molded grip area  that forces a “correct” hand hold, try using that in combination with your lightest touch. Please let us know if you are still having issues.

Millicent’s second question was:

Many pens come supplied with the Parker Jotter style refills.  The issue is that they are almost always black ink.  The first thing I do is change the refill to blue or green.   I refuse to just toss the black refills in the waste bin since they are brand new. They need a good home, just like puppies and kitties 🙂   Any ideas?

Parker-style refill

Anyone in need of black Parker Style refills? Or know of any place she can trade or sell them? Leave a comment or email me through the Ask The Desk link and I can put you in touch with Millicent. Thanks!

I Do These Things For You

Moleskine Art Plus Sketchbook

Moleskine recently unveiled their new Art Plus Sketch Album which explicitly called out the weight of the paper stock on new books is 120 gsm (80lb). Its a cardstock cover book available as a pocket or large “reporter style” though they show it used horizontally on the site, or a 7.5″ square size. Each book has 88 pages and retail prices are $7.95 for the pocket (A6-ish) , $13.95 for the large (A5-ish) and $19.95 for the 7.5″ (19cm) square.

I am willing to try one out so that you, my fine readers, do not have to blow your hard-earned cash if these are not a real improvement over the regular paper (terrible for anything but pencil) or the “sketchbook” stock which was water-resisting, manila card stock.  I ordered one and expect to have it for review in a week or so. If it is terrible paper that makes me shout profanities, there will be a bonfire and you’ll all be invited.

Moleskine Art Plus inside

What’s The Big Deal About Vintage Pencils?

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I realized I’d never really talked about what I like about vintage pencils, beyond the obvious that they look cool and are old and are often relics of domestic factories of companies still in business. So I thought I’d take a moment to show you some vintage pencils in action.

Vintage Pencils

One of the great things about vintage pencils is that, no matter how old they are, they are going to write if you sharpen them. If it has an eraser, avoid it completely though. The erasers will dry out in a matter of a year or two so trust me when I tell you that a 40 year old eraser will either do nothing at all or leave a dark smudge on your paper. So don’t bother with it. But the lead? Its all good.

Vintage Pencils

Some pencils will have unusual grading as opposed to the modern B (for black or soft leads) and H (for hard and therefore lighter leads). Some vintage pencils may simply say HARD or VERY HARD like the ones shown above or a combination of text.

In the past, pencils were used for lots of purposes beyond just Scantronic tests and math homework. Remember, the pencil had its heyday in the world before computers and the power of the undo.

I have a few “film lead” pencils that were designed to write on plastic film for printing or photography. Hard lead pencils were favored by draftsmen and artists and soft leads could be used to write on wood. Pencils allowed folks to apply pressure to their writing in order to easily and cheaply use carbon copies like a store receipt or invoice.

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This is a writing sample of several of my vintage pencils. There were three stand-outs in writing quality: the Futura Medium F, the Eagle Chemi*Sealed Mirado 174 and the USA Black Flyer 4500. I was stunned at how smoothly they wrote.

I also loved writing with the Press 260 Jet Black. It reminded me of the Faber-Castell Design Ebony pencil and the General’s Layout Extra Black but when I compared them, The Press 260 was light years darker and smoother. If you like either of those modern pencils, its worth it to seek out the Press 260 Jet Black.

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On the second page, I wanted to also include some modern pencils so you could have a point of reference for how dark or light the writing is.

I would say that the USA Black Flyer is comparable to the Blackwing 602 but the Flyer is a smooth round barrel while the Blackwing is a hexagonal. The Flyer is unfinished on the end. Potentially, you could sharpen it from both ends or add an eraser cap were you to find one of these at a yard sale. The Faber-Castell Grip 2001 has a similar feel, graphite-wise, to the vintage Mirado but the barrel shapes are different, not to mention the overall appearance.

I love modern and vintage pencils with equal enthusiasm. Would I give up my stash of modern Blackwing 602s for another vintage Mirado? No way. I like having the chance to sample old pencils like rare, fine wines. I enjoy them while I can and save the little, stumpy ends like corks. And modern pencils provide me with a steady stream of writing enjoyment.

Writing sample was done on Rhodia blank pad and all erasing was done with a Staedtler Mars Plastic eraser.