Sun-bronzed tones are mixed with ocean greens and sky blues plus some sunny yellows to make for the perfect summer palette. So, whether you’re beach bound or landlocked you can feel the sea breeze in your hair this week.
Pelikan Souverän M805 Blue Dunes Fountain Pen €482.64 (via Appelboom)
BGM Washi Tape in Special Seasons Blue Ocean $3.20 per roll (via JetPens)
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You knew I would go here, right? With the 50th anniversary of the Apollo 11 moon landing, its been a permanent celebration at our house. I am streaming the live feed mirroring the moon landing (link below), writing with the ink from the Colorverse First Moon Landing set and generally being our most space geekiest that we can possibly be.
Join in the fun with some of our links of the week:
DISCLAIMER: Some of the items included in this review were provided to us free of charge for the purpose of review. Please see the About page for more details.
My interest in fountain pens began nearly a decade ago and it used to be under control. Especially at the beginning of my obsession, it was easy to keep my collection small since I couldn’t really afford much. But that changed quickly when I became enamoured with ink. I could buy a few different inks and use them all in any pen! Wait, they sell samples of ink? Ink subscriptions?
Well, you can probably guess what has happened to my ink collection over the course of a decade. Totally out of control. Maybe that isn’t the right way to describe it. I have control over the actual collection with a great system of organizing bottles, samples, swatches and knowing how to find any of them quickly. Most of that is thanks to the Fountain Pen Companion and Col-o-ring swatch cards (not to mention a deep love of organization). However, even the best organization system can’t make up for a serious lack of space.
The older kids grow, the more space they seem to use. Since the house isn’t growing, space inside seems to be shrinking and my studio has recently been invaded by teens. In order to stay sane during the process, I’ve decided to part with a large portion of my ink collection. The easiest way for me to do so is on my own website since it is already set up to handle orders, shipping, and inventory management. At the moment there are nearly 90 inks loaded into the store ready to go. I’ve set two prices for shipping, but if I can ship ink in a less expensive way, I refund the surplus that was collected for said shipping.
I was initially quite hesitant to post about this on Well-Appointed Desk, however, Ana forced me to do so. I hope it is a way for some people to find joy in the huge variety of ink that is out there at a lower cost! The ink sale can be found here.
The ITALIA Fountain Pen is currently available for pre-order on Kickstarter, with Early Bird backer prices starting at $55 (for the black), $59 (for brass), and $79 (for titanium). These prices are limited offers and reflect a discount off the future retail price.
Though the ITALIA draws inspiration from vintage Italian pens, it’s a modern-looking pen. It’s milled from solid titanium, brass, or aluminum. The pen has conical ends and the grip and cap band are blank embossed with a Greek Key or three stripes design.
The pen is 139mm (5.47″) when opened or closed (nib included) and 150mm (5.9″) in length when posted. The ITALIA comes with a #6 Bock nib and a Schmidt ink converter. It accepts short and long standard international ink cartridges.
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At every pen show I’ve worked, at least one person will ask about a particular ink color. It’s almost always sepia. They ask me to help them pick out a “good sepia”. This is inevitably a loaded question because sepia is a moving target. It’s like asking someone to recommend a good movie, book, bottle of wine, a brand of beer or the best coffee. Inevitably, everyone defines the characteristics a little differently. You might prefer a chardonnay over a merlot. I might prefer a period drama over an action film. Someone else might think their coffee’s tangy roast with an astringent hint of lemon is more appealing than dark roast with a buttery finish. Similar problems occur when someone asks about a “good sepia.” They might even pronounce it differently.
(Cuttlefish (Broadclub Cuttlefish) – Sepia latimanus by Jan (Arny) Messersmith (via Flickr)
What exactly is sepia? Well, it depends on who you ask. Sepia is a genus of cuttlefish. It’s also the name of the color of ink derived from the cuttlefish (of the same name)’s ink (you know, squid ink?) used by many from the ancient Greeks and Romans up until the 19th century. Sepia is also the name given to the photographic toning process that creates a brownish tint to photographs and utilizes sodium sulfide, thiourea (or ‘thiocarbamide’), or polysulfide toners. All three of these processes were used on traditional silver print photos. Today, sepia toning is done digitally using a duotone process.
Why does this make it so difficult to select a “good sepia” fountain pen ink? Well, representations of all of these different types of sepia colors are mostly seen in reproductions today and have faded over time or have been modified by digital means. Not to mention that even original sepia inks would have had variations depending on where they were created and the diets of the cuttlefish, etc.
(Moses Harris’s The Natural System of Colours via Wikipedia)
So, if you are on the hunt for your perfect shade of sepia, please help us help you by coming armed with more information than just a “good sepia.” Any pen shop owner (or clerk) will be much better able to help you, if you give them more information to go on. This can apply to more than just sepia inks too. If you have a photo, a clipping from a magazine, a bit of fabric (Yes, Mike Vanness’ latest polyester supersuit counts) or ribbon. Anything can help determine the color you are looking for.
Also, being able to describe the color you are looking for with words like: warmer (more red, orange, yellow) or cooler (more green, blue), more saturated (brighter), less saturated (not so bright, duller, smokier) can help a lot too. Using tried-and-true fountain pen ink words like “shading ink”, or wet ink, dry ink, “sheening ink” etc will also help.
After a thorough scouring of online sources, I found more than 17 inks that had “sepia” in their name. I picked these 17 as a good representation of the range of variation. (Yes, I know there are others.) The sepia inks show above all have “sepia” in their name. As explained, depending on how the ink maker was defining sepia, or which specific species of sepia cuttlefish or region it might have lived (if they were actually trying to mimic squid ink) or if they were just using the word “sepia” to describe the color as being brown-ish may have determined how they arrived at calling their ink sepia. Or they might have chosen the word arbitrarily. Unlike ochres and umbers which are named for natural pigments, sepia has become essentially a fancy word for brown.
These ink colors, when laid out next to each other, range from a greenish olive through yellow-browns (both warm and cool) in to warmer, darker browns into a plum. Clearly, there are some wide definitions of “sepia.”
If you were to ask me, which of these colors were the best representations of “sepia” as defined by the previous section, I’d have to decline responding. I’m more inclined to describe any or all of these colors as being some other color: warm browns, cool browns, golden wheats, olive and plum. DeAtramentis Standard Sepia Brown is a deep chocolate to me. The two Kobe inks are deep coffee browns. I’d describe the Stipula Sepia as a very red-orange brown and the Visconti and a reddish-ruddy brown. Both the Diamine and Leonardo are almost honey-colored and might be similar to Robert Oster Honey Bee, KWZ Honey or Franklin-Christoph Honeycomb. As for those outliers, the Organics Studio Green Sepia and DeAtramentis Beethoven Sepia, those are playing fast and loose with the definition of Sepia altogether.
How do you describe sepia? Do any of these inks look like what you think of as sepia? Are you ready to use a different word to describe your perfect brown-ish ink?
(To note, the samples used taken from vendor web sites. Links and details are provided below. However, YMMV regarding actual color fidelity in final use. Large swatches like these provide the range of color variation but once in a pen, color can often appear darker or lighter depending on ink wetness, opacity and nib width. Also, as we all know from experience, what we see on screen may not be the full range of color seen in person. The human eye can see a far greater range of color than can be displayed on your laptop, monitor or mobile phone.)
Sepia Inks (in order, top to bottom and left to right):
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