Link Love: Turning Over a New Book

Link Love: Turning Over a New Book

With the start of a new year, there are lots of notebook reviews and there continue to be recaps for 2018 and plans for the new year. There’s also some sad news like the end of another paper edition of a magazine — Glamour. While you may not have ever read this particular magazine, the lack of fanfare for the transition is telling. In the digital world, Design Sponge has announced the end of their 15-year online run. Times, they are a’changin’.

In good news, Inkpothesis is back this year after a long hiatus and the Letter Writers Alliance have christened 2019 The Year of the Postbox. Oh, and if you’ve considered trying bullet journaling but haven’t jumped in yet, Tiny Ray of Sunshine has info about the Bullet Journal Method Book Club.

2018/2019:

Pens:

Ink:

Notebooks & Paper:

Art & Creativity:

Other Interesting Things:

Notebook Review: Yamamoto Ro-Biki

Review by Laura Cameron

Months ago, when I heard Brad review the Yamamoto Ro-Biki Notebooks ($9.00) I was intrigued. I don’t know whether it was the size/shape or the fact that the softcover is waxed and the paper is 100% recycled that piqued my interest, but I added one to my cart at JetPens and figured I’d play around with them eventually.

The Ro-Biki notebooks come in a variety of designs and sizes. The one I purchased was New York – The Skyscraper, but there are a variety of other photos and geometric designs, as well as a few plain covers. The notebook comes with 60 plain pages of 75gsm 100% recycled paper in ivory. It is super lightweight and come in a larger size of 3.5″ wide by 8.3″ tall (9cm x 21cm) or a smaller size of 3.5″ wide by 5.3″ tall (9cm x 13.5 cm).  The Ro-Biki is thread and glue bound and will open to lay flat. Most of the Ro-Biki notebooks come with plain paper, although there are a few that come with grid or reticule.

I immediately started testing all my pens on the paper. I did find that the last page of the notebook had a bit of wax on it (probably rubbed off from the cover) which made the writing experience interesting, but the second page in was beautiful to write on. The paper was slightly textured and had a bit of tooth to it.

I enjoyed the unique size quite a bit, though I note it is a  bit off from the Midori Traveler notebook standard size of 4.3″ x 8.3″ (11cm x 21cm).

The paper is advertised as fountain pen friendly, and I’d say that it is.  There was a bit of bleed through at the point where I colored in my heart, but otherwise just some gentle ghosting from the fountain pens. The Ink Joys left indentations in the paper that could be felt on the opposite side, but I’m still sort of a hard writer when it comes to a non-fountain pen nib so that may just be me.

In general I found this a convenient little notebook to keep with me for jotting down ideas as they came to me. My notebook hasn’t gotten a lot of wear yet, but as it ages the wax cover is only supposed to get softer and more supple.

DISCLAIMER: Some items included in this review were provided free of charge for the purpose of review. Please see the About page for more details.

Pen Review: Retractable Gel Pens

Pen Review: Retractable Gel Pens

Review by Tina Koyama

A few months ago I compared three gel pens that were known to have “dry” inks. My goal then was to find one that might help this lefty reduce the smudging and smearing that often occurs while writing. You can read that review to learn that I wasn’t altogether satisfied with any of the pens I tried, but I was resigned to accept smudging as a normal part of my writing life.

Obviously, I wasn’t resigned at all; in fact, I continued my search. This time, however, I went beyond gel inks that were classified as “dry” and decided to compare five retractable pens – my favorite pen style – from the broader perspective of build quality and overall writing experience. The smearing factor, of course, would be considered, but since this isn’t as much of a concern for righties, I didn’t weigh it as heavily. Unlike last time, I chose a consistent point size for all five pens, which would make the smudging comparison more apples-to-apples.

Like last time, for real-world testing, I wrote a page with each pen in my daily-use A5 Leuchtturm 1917 journal.

The five contenders are:

Pentel EnerGel RTX Conical Point (0.7mm), $2.80
Zebra Sarasa SE (0.7mm), $1.80
Pilot Juice (0.7mm), $1.80
Uniball Signo 307 (0.7mm), $2.10
Pilot Dr. Grip (0.7mm), $8

Pentel EnerGel RTX

I’m showing some favoritism toward the Pentel EnerGel; the alloy-body model was included in the last review. This is a case in which I like the pen’s style and knock so much that I keep wanting to love the ink, too, so that it can become my favorite gel pen. A pen’s knock is obviously a very subjective thing, but it’s large, solid and satisfying – my thumb does not slip off.

Interestingly, I like this less-expensive plastic model better than the alloy version, which is heavier and colder (an important factor on these winter days when my hands are already chilly). The pleasantly textured grip and the barrel’s medium size are very comfortable. The metallic-looking cone looks like the ones on more expensive pens, but the EnerGel RTX is priced like its plastic competitors.

Alas, the smooth-flowing ink is the same, and it still smudges (though not as badly this time as in my first review).

Zebra Sarasa SE

I have used and loved various versions of the Zebra Sarasa, which comes in such a wide range of beautiful colors. This SE model, however, was new to me, and it is definitely an esthetic upgrade compared to the “dry” version I reviewed previously or my heretofore favorite Push Clip – but costs only 5 cents more. The SE’s metallic-looking and conventionally styled clip feels more substantial, and I prefer the textured grip area to the Push Clip’s smoother grip. The SE’s drawback, however, is that it isn’t available in as many colors as the Push Clip (though the same refills fit). Also, the solid knock is slim and slippery, and my thumb occasionally slips off.

I thought the writing experience would be familiar to me, since I use Sarasas frequently. For some reason, however, this 0.7mm green ink looked and felt quite a bit wetter than other Sarasas I’ve used. In fact, at spots where my pen point paused, the ink bled through the page slightly. Paradoxically, however, I got very few smudges; it seemed to do better than the “dry” version I tested previously. I really enjoy how well this ink flows.

Pilot Juice

Available in a bajillion colors and in the same price range, the Pilot Juice is probably the closest competitor to the Zebra Sarasa Push Clip. I know the Juice has a lot of fans, but I have to say, I’m not impressed.

The Juice has the narrowest barrel of the five I’m reviewing here, so that’s already a minus for me, as I tend to favor heftier barrels. The push clip feels like it doesn’t open far enough (I never clip a pen to anything myself, so perhaps it’s perfectly useable for a shirt pocket), and its springiness is not satisfying. I am mildly entertained, however, by the pen’s transparent barrel offering a great view of the knock mechanism, which would probably get me through five minutes of a boring meeting.

My biggest complaint, though, is the ink. I chose the pretty Leaf Green, which is a bit pale but serviceable. But look at the strange mess on my journal page! Not only did the ink smear readily; it apparently reactivated the black ink that had been transferred to my hand from prior test pages and deposited it onto the Juice’s test page.

Uniball Signo 307

An older model of the Uniball Signo had been my go-to gel pen for many years before the Sarasa became my favorite, so this 307 model was new to me. Although only my first photo shows it at all, the clip end of the barrel has a unique basketweave pattern that would be ever-so-much cooler if it were textured (but for $2.10, I wouldn’t expect it). The grip is comfortably textured. Again visible only in my first photo, the clip has an attractive cutout feature that probably looks good clipped to a shirt pocket in a contrasting color, but I’d worry that it might snap off after a while (not tested, however).

Of the pens in this review, the Uniball is the only one that was described by JetPens as having pigment-based, water-resistant ink. I generally don’t expect gel inks to be water-resistant, so I was interested in that characteristic. In my test, however, they all performed about the same (test scribbles made in Stillman & Birn Alpha sketchbook, which is sized for wet media and therefore shows water-solubility better than the Leuchtturm; see results at end of review). The Dr. Grip was slightly more water-soluble than the others. However, as far as smudging goes, the Uniball fared relatively well. It blobbed at the end of my test, which did smudge badly, but the blob did not bleed through.

Pilot Dr. Grip

Slightly higher than the price range of the other pens in this review, the Pilot Dr. Grip has a hefty plastic barrel. For years, I have happily used the mechanical pencil version (which I couldn’t find currently at JetPens), so I already knew that the identical body shape would be comfortable in my hand. The metallic cone, clip and knock are all sturdy and substantial. (The clip, in fact, is so stiff and sturdy that I can hardly budge it.) Though I’m not sure these features are worth four times the cost of the other pens, it feels like a solid upgrade.

The ink, of course, is the same as the refill in the Juice, which smeared a bit (though the black not nearly as badly as the Leaf Green). When I finished writing the page, I saw that a blob at the very beginning of the writing sample still looked wet, and I was able to smear it deliberately.

Final Impressions

Because I tend to favor large-barreled writing instruments, the Dr. Grip is my favorite in this bunch for its comfort and all-around good design. None of the inks were standouts, but the Sarasa’s refill seemed to dry the fastest and therefore smudged the least. In my perfect world, I’d put a Sarasa refill into the Dr. Grip and be very happy! And guess what? I did! As Ana’s epic refill guide indicates, they are interchangeable. Well, not quite: The Sarasa SE refill fits in the Dr. Grip, but the Dr. Grip’s refill doesn’t fit in the Sarasa SE. (But I’m sure I have a Sarasa refill somewhere that will make the Sarasa SE serviceable again.)

Today’s moral? It’s one Ana knows well: If you like the ink of one pen but the body of another, it’s always worth swapping refills to see if they are compatible.

 


DISCLAIMER: Some items included in this review were provided free of charge for the purpose of review. Please see the About page for more details.


tina-koyamaTina Koyama is an urban sketcher in Seattle. Her blog is Fueled by Clouds & Coffee, and you can follow her on Instagram as Miatagrrl.

Ink Review: Robert Oster Smokescreen

Ink Review: Robert Oster Smokescreen

By Jessica Coles

Lately, I have been on a search for inks that are hard to put into a color category and Robert Oster’s new Smokescreen definitely qualifies.

Robert Oster seems to have quite a way with ink; he seems to have a way of creating colors that I didn’t know existed before.  Smokescreen (I received a bottle for the purpose of review from Pen Chalet, $17.00 for 50 mL) is a fabulous ink and one that is difficult to describe and to photograph.  When first put down onto the page (here, onto Rhodia #18 pad, white paper), the ink appears a deep burgundy that hints at brown.

As the ink dries, however, the color loses most of the purple-ish red undertone, finally settling into a gray-leaning brown that could even be mistaken for a dusky purple.

As I said earlier, Smokescreen is a difficult color to photograph, but comparisons to other inks do seem to help.  To show the undertones in the ink, here’s a shot near deep purple and burgundy inks.

Another writing sample, this time on Tomoe River paper.  While Smokescreen is a slightly drier ink, I have never had any problems with it.  I have not had a pen dry out while using it, although my first pen filled with it was used often enough that I wrote the pen dry! The ink is dark enough to slip by in business settings although the color shows itself enough to make your writing distinct.

In case you were wondering, I used one of my Christmas gifts for the review — TWSBI Eco, Blossom Red, broad nib. I think the broad nib helps to show more of the shading with this ink, although it’s still great in any nib size.

I would absolutely recommend purchasing this ink — a complex color that is surprising on each new paper type or nib size.  If you search for slightly unusual inks as I do, grab a bottle of Smokescreen to try!


DISCLAIMER: The ink included in this review was provided to us free of charge by Pen Chalet for the purpose of review. All other materials in this review were purchased by myself. Please see the About page for more details.

 

Karas Kustoms Starliner Fountain Pens

Review by Laura Cameron

Over the holiday break, Ana let me play with the set of Karas Kustoms Starliner and Starliner XL fountain pens that she had received for review. I love my Karas Fountain K and prototype Decograph so I was excited to see what else Karas has to offer!

The Starliner series pens are fun machined pocket size pens that start at $55, which makes them a great introductory to mid-level option for those new to the fountain pen world, or those looking for a durable, affordable every day carry.  The pens are light weight, but sturdy and the ability to post them adds a little length if you think a pocket pen might be too short for you.

First let’s go over the things that are the same between the Starliner and Starliner XL series.

  • Materials: Both pens are machined in 6061-T a “space age” aluminum.
  • Colors: Both come in a variety of colors: Black body/Black section/Black Cap, Tumbled body/Tumbled Section/Tumbled Cap, Silver Body/Red Section/Silver Cap, and Silver Body/Blue Section/Silver Cap.
  • Caps: Both come with snap caps that post.
  • Nibs: Both pens are outfitted with Bock 076 (#5) nibs and are offered in EF, F, M, B or 1.1, 1.5 or 1.9mm stubs. They can also be upgraded to Titanium or 14K nibs if you wish, though that will raise the price.

Now let’s look at where they differ:

  • Length: The Starliner comes in at 4″ capped, and 4.5″ posted whereas the XL comes in at 5″ capped and approximately 5.5″ posted.
  • Weight: The Starliner weighs in at 24g (filled and capped) and the XL weighs in at 30g.
  • Ink System: The Starliner is small enough that it only takes cartridges, but it will take any standard international cartridge. The XL is a bit larger and can take a Schmidt K5 Converter or any standard international cartridge.
  • Clips: The Starliner XL cap comes with a clip; the Starliner does not.

pen weight comparison chart

Now for the eye candy:

For my review purposes I chose to take the Black Starliner with an F nib for a drive and popped in one of my favorite cartridges (Tarzan Teal from Fahrney’s). The pen started right away and wrote smoothly, with no skipping. I carried the pen around in my pocket and purse for a week or so and found that it always started up right away. The pen was the perfect size to stash just about everywhere.

The only pocket pen in my collection that I can compare the Starliner to is my Kaweco Liliput. While I prefer the smooth lines and styling of the Liliput aesthetically speaking, the Liliput is far too small for most hands, as well as more expensive than the Starliner. The Starliner’s rugged appearance will definitely appeal to a different audience and seems like a great addition to the Karas lineup!

And, in case you missed it, use the code WELLAPPTDESK when shopping at Karas Kustoms and you’ll get 10% off your purchase!


DISCLAIMER: The fountain pens included in this review were loaned to us free of charge by Karas Kustoms for the purpose of review. Please see the About page for more details.

Link Love: Looking back on 2018 and forward to 2019.

Link Love: Looking back on 2018 and forward to 2019.

Wow! I got this post finished and there are so many recaps, round-ups, and other wrap-ups for 2018 plus plans for 2019 that it might take the better part of a week to read them all. Luckily, we have all of 2019 to reminisce about 2018.

Year-End Rounds Up and Resolutions:

Pens:

Ink:

Pencils:

Notebooks & Paper:

Art & Creativity:

Other Interesting Things:

2018 Cheers and Tears

Cheers:

Ink:

Ink collage

If you are an ink fan, 2018 was the year for you. Colorverse, 3Oysters, Color Charm, Pen BBS, Krishna, Ferris Wheel Press, and so much more. While not all these inks were new on the market this year, many of these washed up onto the shores of the US and Europe this year.

There was also new limited edition inks from Diamine, the new Nick Stewart inks, and lots of new colors from Robert Oster. Sailor introduced their Sailor 100 line and Lamy created their new line of Crystal inks. So many inks in a full rainbow of colors. Thank you, 2018, for the ink watershed.

Tears:

Jim Rouse:

Jim Rouse

The sudden loss of our great friend and pen community luminary, Jim Rouse, hit us all hard. He was knowledgeable, patient, and playful and I miss seeing him decked out in his Sunday “best”. Wherever you are now, Jim, I hope you have all the Coca-Cola you can drink and a good seat to watch over your grandkids. Godspeed.

Aurora Optima Flex Series:

Aurora Optima Flex Pens
Aurora Optima Flex Pens

The pens are beautiful and I give a lot of credit to Aurora for attempting such an ambitious pen release cycle. However, not everyone wants a flex nib pen and $615 retail is a lot to ask people to plunk down for a nib that may or may not meet their expectations. If I had been in the design and marketing meetings, I would have recommended releasing the rainbow of Optima pens with standard nib options or the flex nib and I would have have recommended pricing the standard nib options at about $350 and the flex at about $100 more. The Optima has always felt like the entry tier for Aurora and a solid resin material does not seem to warrant as high a price as some of the swirled materials. But what do I know? Only that most retailers who have the Optima Flex pens in stock are slashing the prices to try to move them. So clearly, Aurora was overvaluing the pens and over-saturated the market.

Cross x Star Wars Millennium Falcon
Cross x Star Wars Stormtrooper

Cross x Star Wars:

Just stop. These are a visual abomination. I thought the Townsend Chewbacca was the lowest of the low but no, Cross could go lower. The Cross x Star Wars Darth Vader, Stormtrooper and Millennium Falcon look like pens that would be sold in the back-to-school aisle for $3 but Cross is trying to sell them for $85. I am one of the biggest Star Wars nerds around. I have a pet AT-AT, for inks’ sake, and I would gladly plop down cold hard cash for a GOOD Star Wars licensed pen. Get with the program, Cross or, Disney, sell the licensing rights to someone else.

So, there were probably tons of other moments in our pen community both great and small that are worthy of being noted but my brain is mush and this is all I can think of at the moment.

What were your tears and cheers for 2018?