Brush Pens, Part 4: Water-Soluble Bristle Tips

Guest review by Tina Koyama

This fourth and final installment of the brush pen series reviews bristle-tip pens containing water-soluble ink. Similar to their waterproof ink counterparts, these 10 brush pens have actual synthetic hair tips that take a bit of practice to get the hang of controlling. However, I find their lines to be more expressive and fluid than felt tip brush pens, so it is worth it to me to give them the extra effort to use.

water soluble bristle pens

Ink Color & Permanence

First, I’ll talk about the inks these pens contain. While they all look within a comparable range of black on the Canson XL 98-pound mixed media paper I scribbled on, the Kuretake Zig Clean Color Real Brush Pen has a slightly purplish tinge (which is more apparent when washed with water). The Zig, the Pentel Standard Brush Pen (medium tip) and the Akashiya Sai Watercolor Brush Pen have the darkest, richest washes when water is applied. That’s a quality I look for in water-soluble inks, since I generally use them when I want to take advantage of the wash for shading.

water soluble bristle wash test

Compared to some of the water-soluble pens in the felt tip group, these inks mostly stayed water-soluble when washed a couple of weeks after the initial line had been applied. However, when I washed them again just now, more than a month since the initial application, all of them were nearly permanent. I think it’s safe to assume that these inks eventually become permanent over time.

field notes water soluble bristle brush tests

All inks behaved as expected on Field Notes 60-pound Finch Opaque Smooth paper with very little bleed-through except where I had applied water. As I mentioned in the water-soluble felt tip review, it’s interesting to see the difference in the washes when comparing the Field Notes paper with the 98-pound Canson paper. Sized for water media, the Canson paper brings out the washed color, while the Field Notes paper makes the washes look more like wimpy blurs.

Although I tested only pens with black ink, it should be noted that the Akashiya Sai comes in 20 colors and the Zig Clean Color comes in 80! They can be blended like watercolors, and since they remain soluble for quite some time, you could continue blending them as you work. The Akashiya Sai ThinLine is available in five dark, natural tones. (I think I’m going to have to eventually get all five because I love the muted tones, which aren’t easily found in brush pens.)

Beyond these points, none of the inks stood out with any distinction. What I find distinctive about this group is the wide variety of form factors in which the pens are available.

water soluble bristle pens variety of form factors

Variety of Form Factors

By form factor, I’m referring to the size and shape of the pens. The three Sailor Fude Nagomi brush pens (the red, the green and the black) look the most like traditional Asian calligraphy brushes with their longer length and tapered body. (Incidentally, the three Nagomi pens are identical except for their body colors; I guess I would have known this before buying all three if I’d read the descriptions more carefully and hadn’t been so excited about having more brush pens to explore!)

Yellow Akashiya New Fude Disposable on 140lb Watercolor Paper
Yellow Akashiya New Fude Disposable on 140lb Watercolor Paper

The Kuretake No. 30 Double-Sided Brush Pen has a firm felt-tip on the opposite end of the brush (a nice option that was offered on several of the water-soluble felt tip pens).

The Akashiya Sai and the Akashiya New Fude Disposable Brush Pen look similar, both with transparent caps, but are longer than the Kuretake Zig Clean Color, which is slightly thicker. The Akashiya ThinLine, however, is indeed a distinctly thin pen – a little too thin for my comfort. It could be mistaken for an eyeliner. The brush itself is somewhat thinner than the others in this review, but because of that, I missed the wider end of the range that I could get with the others. Its very tip was not any thinner than the other tips.

Sketched with Sailor Profit on Stillman & Birn Epsilon paper.
Sketched with Sailor Profit on Stillman & Birn Epsilon paper.

The Pentel has a reservoir and a soft barrel that can be squeezed to push more ink to the brush. (Beware: this is the type that will leak to high heaven at high altitudes.) It is refillable, however, with proprietary cartridges. The only other refillable pen in this group is the Sailor Profit Brush Pen, which looks like and is refillable like a Sailor Profit fountain pen.

The variety of shapes and sizes means that you can choose the one that fits your hand and work style most comfortably. If you are already familiar with a classic fountain pen body, then the Sailor Profit is an easy transition. If you like narrow barrels, then the Akashiya ThinLine might be a good choice. The Zig Clean Color has a body that feels the most like a classic marker, and I find the thicker barrel easier to use. The longer Sailor Nagomi pens might be difficult to handle, but they are nicely balanced even when posted.

Final Impressions

I’ve done it in all the other reviews, so I might as well complete the set: I am notably grumpy about caps that don’t post as expected. In this group, only the double-sided Kuretake has caps that must be reversed to post. All others made me happy by posting predictably.

pentel-standard-colored-pencils-stillman-birn-alpha

While I tend to reach for waterproof inks more often, I have to say that the water-soluble aspect of these bristle brush pens encouraged me to experiment more. Most of my sketch samples in this series were done with brush pens only. For this review, however, I tried something different by sketching the pear first with oil-based Faber-Castell Polychromos colored pencils. Then I gave it shading with the Pentel, which I further blended with a waterbrush. The wash has enough transparency that the blended colored pencils underneath show through – an effect that I like.

sailor-nagomi-canson-100-lb-all-media-paper

I wore out all three Sailor Nagomi pens at life-drawing practice sessions. The expressiveness of the brush combined with the ability to conveniently shade by washing the line made them a joy to use.

While no clear favorite emerged from this group, this combination of brush and ink type is definitely a keeper in my sketch kit. In fact, as a result of writing this series, I now have four daily-carry brush pens, one of each type, because each serves a different sketching need.

If you missed the other parts, they are:

tina-koyamaTina Koyama is an urban sketcher in Seattle. Her blog is Fueled by Clouds & Coffee, and you can follow her on Instagram as Miatagrrl.

Quo Vadis Plan & Note Weekly Open Format Planner

Quo Vadis Plan & Note 2017

I cannot believe its taken me so long to do a write up about the Quo Vadis Plan & Note Open Format Desk Planner. It’s simply the simplest answer to the “I need a planner” problem. It’s approximately A5 sized, bound with a flexible soft cover and features week-on-two-pages open planning pages AND FOUNTAIN PEN FRIENDLY PAPER. So…. basically, its the “problem solved” planner for a lot of people who have been asking for an alternative to the Moleskine planner but “with better paper”. This is it.

Quo Vadis Plan & Note 2017

On the cover is a subtly embossed “2017” and the Quo Vadis logo in the lower right hand corner. There’s an option to choose the turquoise spine and elastic like this model or purple or pink.

Quo Vadis Plan & Note 2017

Interior features:

  • Open layout for planning & notes
  • Week on 2-pages with equal pages for each day
  • Monthly calendar pages in the front
  • 12 months – January-December
  • Covers are flexible, soft-touch material, not leatherette
  • Color binding & match vertical elastic closure
  • Forward planning for 2017 & 2018
  • White 90g paper
  • 2-color printing
  • Tear-off corners to make wayfinding easier
  • Address book pages in back of book

Quo Vadis Plan & Note 2017

 

Quo Vadis Plan & Note 2017

The book itself is relatively thin so you won’t weigh yourself down with a big planner and can easily add an additional notebook to your daily carry without needing your own Sherpa.

Quo Vadis Plan & Note 2017

Since most people will already have some familiarity with Quo Vadis paper (also Clairefontaine and Rhodia) I didn’t do a lengthy pen test since it felt like overkill. The 90gsm paper Quo Vadis uses is the same high quality paper that is used in most Quo Vadis, Clairefontaine and Rhodia products and can be depended upon to behave as such. This is Robert Oster Aqua in my Pilot Custom 912 with Waverly nib.

Quo Vadis Plan & Note 2017

And shown above, the same page is viewed from the back. As you can see there is almost no show through and no bleed through as is expected from Quo Vadis paper.

So, if you are looking for a good quality, week-on-two-pages planner with lots of room for notes, the Quo Vadis Plan & Note Desk is a great option. And any Quo Vadis planner is guaranteed to feature awesome paper if you need a different size or configuration.

DISCLAIMER: This item was sent to me free of charge by Quo Vadis for the purpose of review. Please see the About page for more details.

Fashionable Friday: Pantone Color of the Year 2017

ff-greenery

Oh, Pantone! You picked my signature color as the color of the year? Why, thank you. This year Pantone chose “Greenery” as their color for 2017. It’s also known as PMS 376C or PMS 15-0343 TCX, if you are familiar with Pantone’s color matching systems. Their theory is that 2017 will be a year of new beginnings and a year that we will need reassurances of nature, personal passions and vitality. I personally think Greenery is the color of every year but I’m happy to embrace it this year with abandon!

  • Butter London Greenery Polish $10 (via Butter London)
  • Pantone Greenery Mug $25 (via Pantone)
  • Metaphys Gum Flat Eraser $7 (via Fresh Stock Japan)
  • Uni Kuru Toga Auto Lead Rotation 0.5 mm Mechanical Pencil (Green Body) $7.50 (via JetPens)
  • Midori Color Paper A5 Lined Notebook $3.25 (via JetPens)
  • Pilot Parallel Pen Light Green Refill (6 Cartridges) $2.75 (via JetPens)
  • Penco Clampy Clip in Silver $3 (via Fresh Stock Japan)
  • Bookbinder’s Emerald Boa Snake Ink (30ml Bottle) $12.50 (via Anderson Pens)
  • Diamine Shimmertastic Golden Oasis Ink (50ml Bottle) $20 (via Anderson Pens)
  • Clairefontaine 1951 Collection Lined Memo Book (5.75″ x 8.25″) $4.50 (via Pen Chalet)
  • Sheaffer VFM Eclectic Green Ballpoint $12 (via Anderson Pens)
  • Pilot Metropolitan Fountain Pen – Retro Pop Green, 1.0mm Stub Nib $15 (via Anderson Pens)
  • TWSBI Eco lime fountain pen € 35 (via Fontoplumo)
  • Lamy AL-star charged green fountain pen (special edition 2016) € 26,90 (via Fontoplumo)
  • Kikkerland Potted Pen Stand $11.50 (via Amazon)

Podcast: Art Supply Posse #27 Mike Hawthorne

Comic book artist, family man and all-around good guy Mike Hawthorne kept Heather and I laughing with his wit and wisdom this week on Art Supply Posse #27. Mike illustrates the wonderfully bawdy Marvel comic book Deadpool  and our conversation may also include some PG-13 language. (You’ve been warned.)

All pertinent links and shownotes on Art Supply Posse.

Poe Dameron Artwork by Mike Hawthorne from his cover process post.

Link Love: Gift Guides & Oddities

rp_link-anaPens:

Ink:

Pencils:

Paper & Notebooks:

Planners:

Gift Guides:

Other Interesting Things:

Ink Review: Robert Oster Blue Denim

Robert Oster Blue Denim

By popular request, I finally have a review of Robert Oster Blue Denim. It is one of the many shades of the new Robert Oster Signature Inks that I have and it is a great, shading, sheening color. There is a distinct red halo with this ink, even in finer nibs.It’s one of the first things you’ll notice along with the vibrant deep blue color. It’s definitely a cool blue, despite the red sheen. What a conundrum of a color! A cool color with a warm sheen!

Robert Oster Blue Denim Swatch

I’ve mentioned it before but I’ll say it here, the only downside with the Oster inks, if you perceive it that way, is the bottle. It’s a plastic bottle. The bottle is tall and narrow which will require a syringe to access inks after a certain point and could be prone to tipping if you are not careful. You may want to decant the inks into a different container if you fill your pens directly from the bottle. However, the bottles are plastic which means they are unlikely to break in shipping and are recyclable which, in another way, is a plus. Also, the bottles are dark so they protect the inks from light so the colors are unlikely to shift due to exposure to light. So, there’s that.

Robert Oster Blue Denim Writing Sample

In my writing sample, I used my trusty Esterbrook nib holder and my favorite #2442 fine stub nib which showed more turquoise coloring. I also have the Blue Denim ink in my Karas Kustoms Bar Stock Fountain K EF and the ink looks much darker with the red sheen far more evident. You can see a writing sample in my recent writing samples of the Ferme à Paris Planner writing tests.

Robert Oster Blue Denim Ink Comparison

Compared to some of the other Oster inks in my cupboard, Blue Denim is probably the closest to a “blue black”. Blue Denim is probably most comparable, color-wise to Pilot Iroshizuku Tsuki-Yo and Noodler’s Navy — at least of the colors I have on hand. But clearly, there are differences. So see? You really do need another blue ink!

Oster Blue Denim in 50ml bottles is available from Anderson Pens and Vanness Pens.


DISCLAIMER: This item was sent to me free of charge for the purpose of review. Please see the About page for more details.

Brush Pens, Part 3: Waterproof Bristle Tips

waterproof-bristle-pens

Guest review by Tina Koyama

Within the brush pen series (Part 1: Waterproof Felt Tips and Part 2: Water-Soluble Felt Tips), the type of pens I’m reviewing today are probably the ones I use most often – hairy, bristle-tip brush pens containing waterproof ink. Designed to simulate sumi brush pens used for traditional Asian calligraphy, the bristle-tipped pens take a little more practice to manipulate compared to their felt tip counterparts, but the line variation they impart can be very expressive. If you are used to handling paint brushes with ink, these will feel familiar.

As a general rule, bristle tips last longer than felt tips without mushing down from pressure, and their flexibility gives the widest range of marks. For example, I’ve been using the same Kuretake No. 13 Fountain Brush Pen for several years now, and its synthetic brush is still going strong. When I eventually upgraded to a sable hair Kuretake No. 40, thinking it would be even better than the 13, I have to say I was disappointed. The brush performs well, but it doesn’t seem to warrant the price difference compared to the No. 13. In fact, I find that the No. 40’s tip spreads out when pressure is applied and doesn’t pull back into a sharp point when the pressure is released the way the 13 does. I have to roll it against the paper to get the point back. Maybe a painter accustomed to handling natural hair brushes would have better results from it.

Kuretake No. 40 Weasel Hair Brush on Domtar Earth Choice Paper in the Field Notes Lunacy Edition
Kuretake No. 40 Weasel Hair Brush on Domtar Earth Choice Paper in the Field Notes Lunacy Edition
Pentel Suki on 140lb watercolor paper
Pentel Suki on 140lb watercolor paper

All the other brush pens reviewed here have similar synthetic bristle tips to the Kuretake No. 13 without much distinction. The exceptions are the Pentel Tsumi Tip (labeled FL2U on my chart) and the Pentel Suki Tip (FL2V) Brush Pens, both of which are capable of producing particularly thin lines at their very points. See the man wearing headphones that I sketched with the Pentel Suki? I was able to make that very thin line defining his nostril with the tip – it might have been a single hair! You have to hold the brush nearly vertical to the page to get that hairline, so it’s a bit tricky, but it has a beautiful range.

Here’s something to consider if you travel: I carry all my usual sketch gear with me when I fly. Although I’ve heard various warnings, usually related to leaking fountain pens, the only time I’ve ever had any kind of leakage problem was with reservoir-type brush pens such as the Pentel Tsumi and Suki and the Kuretake Zig Cartoonist Brush Pen No. 22. They are prone to making a huge mess! This goes for driving to high altitudes, too, not just while flying. Believe me, I only made that mistake once! Wrap carefully if you plan to take them with you.

Bristle Brush Pens Waterproof Tests
Bristle Brush Pens Waterproof Tests

Ink Color & Permanence

As before, water tests were done on 98-pound Canson mixed media paper. Most of the inks are waterproof as soon as they dry, within a minute or so. The exceptions are the Pentel Tsumi and Suki, which remain water-soluble for quite some time. Two weeks later I tested again, and they were permanent. I started using both the Pentel Tsumi and Suki pens as if they were water-soluble inks, washing lines for shading. I wouldn’t use them with watercolors or even with a gel pen, however, since those products would become muddy when mixed with the inks. If you’re planning to wait a while before painting, however, these inks could be considered waterproof also.

Those two Pentels were also the only ones containing inks that looked slightly gray to me compared to the true black of the others.

Waterproof Bristle Pen Tests in Field Notes
Waterproof Bristle Pen Tests in Field Notes

All inks behaved well, as expected, on Field Notes 60-pound Finch Opaque Smooth paper. The only spot that bled through slightly was where I had made an especially thick line with the Kuretake No. 40 (containing Platinum Carbon Black ink).

Field Notes Brush Pen Bristle tests from the reverse side
Field Notes Brush Pen Bristle tests from the reverse side

Refillability

It’s important to note that the Kuretake No. 13, Kuretake No. 40 and Pentel Kirari Pocket Brush Pen can all be refilled just like fountain pens. They come with waterproof ink cartridges when purchased, but you can install a converter or simply syringe-refill the used cartridges with whatever ink you want. My favorite waterproof fountain pen ink is Platinum Carbon Black (*Editor’s Note: Mine too!), which puts out an especially rich, black line in all of these refillable pens. I have a second Kuretake No. 13 that I fill with water-soluble Diamine Chocolate Brown ink. So although I’ve classified these pens as waterproof, the type of ink used is up to you. (However, I recommend sticking with one type of ink per pen, since the brushes are difficult to clean.) Since the bristles have proven to last a long time, their refillable quality makes these pens a particularly good value.

The Kuretake Zig No. 22, the Pentel Tsumi and the Pentel Suki can all be refilled with proprietary cartridges. (Actually, the cartridges look like they can be refilled with fountain pen ink too, though I haven’t tried it.)

Bimoji Brush Pen on 140lb watercolor paper
Bimoji Brush Pen on 140lb watercolor paper

That makes the Kuretake Bimoji (medium), J. Herbin CreaPen Pinceau and Copic Gasenfude the only disposable pens in this bunch. I try to avoid pens that must be tossed after their inks are gone, so that puts these otherwise good brush pens at a disadvantage. A couple of things to note: For some reason, the J. Herbin CreaPen ran dry after only a short time, despite being stored horizontally. And the Copic Gasenfude, despite bearing the Copic name, contains ink that is nothing like the alcohol-based markers most people think of when they see the name Copic! This is very important to me, as I can’t stand stinky markers.

Kuretake No. 22 with Gelly Roll on 70lb French PopTone in the Field Notes Sweet Tooth Edition
Kuretake No. 22 with Gelly Roll on 70lb French PopTone in the Field Notes Sweet Tooth Edition

Final Impressions

If you’ve read my other reviews, you know I get cranky about caps that don’t post as expected. In this group, only the Kuretake Bimoji has a cap that must be reversed to post (and yes, it still annoys me). All other caps posted properly and securely.

Reviewing bristle-tip pens right after all the felt-tipped brush pens drove home an important point: Bristles are far more durable and able to withstand pressure while continually bouncing back compared to felt tips. It occurs to me that this is the reason most of the felt-tipped brush pens are disposable – the tips wouldn’t last beyond the initial ink, even if they could be refilled.

For my money, that makes the refillable fountain-pen type brush pens the best value as well as the hardiest performers. However, they make a very different type of mark from the felt tipped pens and require more control, so value isn’t the only factor to consider. Personally, I carry at least one bristle tip and one felt tip at all times because I like the variety of marks each type offers me.

There’s only one part left in this series – bristle-tip brush pens containing water-soluble inks. That group contains a huge variety of form factors! Stay tuned.


tina-koyamaTina Koyama is an urban sketcher in Seattle. Her blog is Fueled by Clouds & Coffee, and you can follow her on Instagram as Miatagrrl.

DISCLAIMER: This item was sent to me free of charge by JetPens for the purpose of review. Please see the About page for more details.